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November 30, 2011, 12:12 pm
(San Rafael, California--November 29, 2011) From December 5 to 8, Autodesk Inc., together with the support of HP, AMD and Xsens, will host 3December 2011, the company's annual celebration of 3D computer graphics and the artists who create them.
November 6, 2017, 11:45 am
The long shadow effect can bring a bit of drama and on-trend style to the creative visuals in your video. With logos and graphics especially, applying a sizable shadow can really set off the look.
November 6, 2017, 5:56 am
If you’re looking to increase your productivity and streamline your workflow, the upgrade is well worth it. However, if you’re happy with what Maya 2017 has to offer, you may not want to rush out and upgrade just yet.
November 5, 2017, 6:54 am
In 2016, a video essay raised a provocative question about Marvel Studios' films: Why aren't its film scores memorable in the way that franchises like Star Wars or James Bond are?
November 3, 2017, 3:59 pm
Paul Lambert started his career at Cinesite in 1995 and then worked at Digital Domain before joining Double Negative in 2015. His filmography includes films such as THE CURIOUS CASE OF BENJAMIN BUTTON, TRON LEGACY, OBLIVION and THE HUNTSMAN: WINTER’S WAR.
November 2, 2017, 5:33 pm
Hans Zimmer is a movie soundtrack legend, having scored over 100 films and TV shows, including The Dark Knight and Man of Steel. Yet even a mega-composer like Zimmer still gets starstruck. In a recent interview, Zimmer named his own personal favorite film composer: Radiohead’s Jonny Greenwood.
November 2, 2017, 10:36 am
Reallusion has announced that it is integrating PopcornFX, Persistant Studios’ particle effects technology, with iClone, its real-time 3D animation software.
November 2, 2017, 6:58 am
This week, Apple kicked off the third-annual Final Cut Pro X Creative Summit in Cupertino, CA, with the announcement of the Final Cut Pro X version 10.4 and a number of demos that showed off what professional video editors have to look forward to with the new updates.
November 1, 2017, 4:39 pm
It used to be that what you saw on a movie set would pretty much be what you saw in the final movie. If you wanted to have a mountain in the background, you'd have to go to one. However with modern technology, CGI has made it possible to have that mountain in the background without even leaving your home. Just whip up a green screen and you're good to go! This advancement in technology has meant for some big differences between what is filmed and what we see in the final movie.
Gordon sits down with Sidney Wolinsky to discuss the editing of Guillermo del Toro's latest film The Shape of Water.
Gordon sits down with Lee Percy to discuss editing The Mountain Between Us.
Lisa and Gordon discuss her career and approach to editing. ACE will have Lisa as part of their panels at the upcoming Edit ...
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