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  • Back up Tapeless Media

    Back up Tapeless Media

    December 26, 2009, 5:59 am
    Many film-makers have begun to shoot on tapeless media. XDCam Ex, P2, video on DSLRs, Red, AVCHD, hard disk camcorders, and such like. So, naturally, where they would store tapes in a cupboard, they now have all their 'rushes' as digital video files sitting on hard disks.

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  • Other Postings By Member

    • AOTG
      VFX

      Why ‘Air Force One’ has some of the most talke

      July 25, 2017, 9:11 am
      When Wolfgang Petersen’s Air Force One was released 20 years ago this week in 1997, it would be one of Boss Film Studios’ very last visual effects projects before founder Richard Edlund shut the effects company’s doors. The studio spectacularly delivered and destroyed a number of intricate miniature aircraft for the show. It also dived into several CG plane shots, including the scene of Air Force One crashing into the ocean, one that was perhaps not as spectacular.

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    • SPIDER-MAN - HOMECOMING: Dominik Zimmerle VFX
      VFX

      SPIDER-MAN - HOMECOMING: Dominik Zimmerle VFX

      July 25, 2017, 9:11 am
      Dominik Zimmerle began his career in visual effects in 2007 at Trixter. He has worked on many projects such as THE AVENGERS, CLOUD ATLAS, IRON MAN 3 and AVENGERS: AGE OF ULTRON. As a VFX Supervisor, he took care of the effects of ANT-MAN and INDEPENDENCE DAY: RESURGENCE.

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    • AOTG
      VFX

      AMERICAN GODS: VFX Breakdown by Cinesite

      July 25, 2017, 4:33 am
      Have a look at this VFX Breakdown by Cinesite about their work on AMERICAN GODS...

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    • AOTG
      VFX

      Sharpening Techniques 02

      July 25, 2017, 4:33 am
      Another example of how to sharpen geometry under subdivision in Cinema 4D without affecting existing curvature.

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    • Interview with VFX Supervisor Scott Stokdyk
      VFX

      Interview with VFX Supervisor Scott Stokdyk

      July 25, 2017, 4:32 am
      I’m speaking with Scott Stokdyk. I’m really excited about this Episode. Scott is a VFX Supervisor who’s worked on so many things: Titanic, Contact, Godzilla, all the Spider-Man movies. We are going to talk about Scott’s past experiences, a lot of aha moments and realizations — and also talk about Valerian and its production process as well!

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    • AOTG
      VFX

      Foundry ships Nuke, NukeX and Nuke Studio 11.0

      July 25, 2017, 4:32 am
      Foundry has released its Nuke 11.0 family of software – compositing, finishing and editorial products Nuke 11.0, NukeX 11.0 and Nuke Studio 11.0 – after three months in public beta.

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    • Meet the new RØDE VideoMic Pro+
      SOUND

      Meet the new RØDE VideoMic Pro+

      July 25, 2017, 4:32 am
      Tuesday July 25, 2017 — Pro-audio brand RØDE Microphones is announcing a brand new addition to its best-in market on-camera category – the VideoMic Pro+. Announced at RØDEShow 2017, Freedman Electronics’ 50th anniversary celebration, the VideoMic Pro+ is set to prove that RØDE Microphones has yet again upped the game for the prosumer filmmaker.

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    • Creating Moveable Markers in FCPX
      EDITING

      Creating Moveable Markers in FCPX

      July 24, 2017, 5:17 pm
      This week on MacBreak Studio, Steve Martin from Ripple Training continues he discussion about markers in Final Cut Pro X by showing us a way to make markers moveable. If you missed last week’s episode on turning frame.io comments into markers in FCP X, you may want to check that out here.

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    • A quick guide to choose your next monitor by Jose
      EDITING

      A quick guide to choose your next monitor by Jose

      July 24, 2017, 12:18 pm
      When it comes to monitors, Philips has a word to say. MMD, brand license partner for Philips monitors worldwide, offers some advice for photographers and graphic artists looking for their next monitor.

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    • Cinema Audio Society Sets Date for 2018 Awards
      SOUND

      Cinema Audio Society Sets Date for 2018 Awards

      July 24, 2017, 12:18 pm
      The Cinema Audio Society has set the date and timeline for the 54th Annual CAS Awards, which recognizes outstanding sound mixing in film and television. The ceremony will be held Feb. 24 at the Omni Los Angeles Hotel.

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