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December 10, 2011, 8:19 am
We put together this panel of experienced editors to discuss why we make the edit, not how. With over 100 years experience on the panel, there is a lot to learn about the creative process here. Mark Goldblatt, Feature Editor: from Piranha in 1978 to Rise of the Planet of The Apes in 2011. Andrew Seklir, Episodic TV Editor: Battlestar Galactica, Warehouse 13. Derek McCants, Reality TV Editor: Big Brother, Sarah Palin's Alaska.
February 2, 2010, 8:32 am
James Herbert is director Guy Ritchie’s go-to editor. The two have worked together on, among other things, the films Revolver, RocknRolla and now Sherlock Holmes. Over the years they have developed a sort of shorthand that helps keep the process a pleasant and productive one.
February 2, 2010, 8:31 am
Thelma Schoonmaker has been director Martin Scorsese's editor of choice ever since their shared career-defining turn on Raging Bull. With a collaboration spanning almost four decades, Schoonmaker recently won her second Academy Award and has been nominated for three others in the past. She took time off from her work on the upcoming crime drama The Departed to rewind with us.
February 1, 2010, 8:30 am
With the 2010 FCPUG San Francisco SuperMeet about to happen, February 5, at the UCSF Mission Bay Conference Center in San Francisco, we take a look at some memorable moment from previous SuperMeets, spectacular demos, and inspiring moments.
January 31, 2010, 8:27 am
Showcasing films at the Sundance Film Festival is becoming par for the course for veteran editor Brian Kates. In his eighth trip to Park City for the 2010 fest, Kates saw his latest project Jack Goes Boating—a film from first-time director and Academy Award-winning actor Philip Seymour Hoffman—get its world premiere.
January 30, 2010, 8:27 am
Most of us have contradictory attitude toward trailers. Trailers are a bonus - we get to see a part of another film - for the price of seeing the movie we just paid for. They help us get in the mood for the feature. We can use them to reject a movie and save ourselves time and money. They can also be refreshers, helping us relive and remember a movie.
January 29, 2010, 8:25 am
Our story so far: Our intrepid editor and geek just spent about $7000 on a new editing computer. To try and save money, he bought the HP Z800 without a DVD drive or video card. When he finally tries to install the BluRay burner...)
January 29, 2010, 8:23 am
If you follow me on twitter (twitter.com/comebackshane) then you might have seen me vent my frustration from time to time about getting stock footage masters without matching timecode. Here’s what happens. You are editing a show and need to use some stock footage...
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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