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December 10, 2011, 8:19 am
We put together this panel of experienced editors to discuss why we make the edit, not how. With over 100 years experience on the panel, there is a lot to learn about the creative process here. Mark Goldblatt, Feature Editor: from Piranha in 1978 to Rise of the Planet of The Apes in 2011. Andrew Seklir, Episodic TV Editor: Battlestar Galactica, Warehouse 13. Derek McCants, Reality TV Editor: Big Brother, Sarah Palin's Alaska.
December 24, 2017, 8:10 am
The film editor behind one of the most famous car chases in movie history has died. Jerry Greenberg, whose work on The French Connection won him an Academy Award for film editing, died Friday after a long illness. He was 81.
December 22, 2017, 3:24 pm
Gordon Burkell interviews Kenneth Branagh and Patrick Doyle about composing music and specifically composing the song Never Forget from the film Murder on the Orient Express. You can listen to the song below.
December 22, 2017, 3:18 pm
Approaching renowned composer Jon Brion for Lady Bird, her directorial debut, Greta Gerwig didn’t get into the specifics of his many memorable scores, or which of his works was particularly compelling to her. For Brion, this was a breath of fresh air.
December 22, 2017, 6:56 am
More than 20 years ago, Joe Johnston’s Jumanji delivered audiences a fun adventure story full of jungle animals, including those created with cg technologies that were still in their relative infancy.
December 22, 2017, 6:56 am
Mindhunter is one of those binge-able shows that has people talking. I spent a few days last summer at the Fincher production facility in LA where the show is cut and met one of the show’s editors, Tyler Nelson. One of the other editors on the series is Oscar-winner, Kirk Baxter, ACE, whom I interviewed previously for his work on Gone Girl. Both Gone Girl and Mindhunter were edited in Premiere Pro. (I was not able to talk to the third editor on the series, Byron Smith, who also cut the Netflix series, Altered Carbon.)
December 22, 2017, 6:55 am
I wanted to follow up my review of HitFilm Pro 2017 with a look at the two products that come as part of the Studio bundle. In this article we’re going to look at Ignite Pro, which can be purchased as part of the Studio bundle or on its own for $199. Alright, here we go!
Tom Cross and Gordon Burkell sit down to discuss the editing of Hostiles and how to work with footage to affect the pacing an ...
Gordon Burkell interviews Paul Machliss about timing and editing Baby Driver.
Gordon Burkell interviews Kenneth Branagh and Patrick Doyle about composing music and specifically composing the song Never F ...
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