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December 12, 2011, 2:55 pm
DFT Digital Film Technology recently added native support of ProRes files on the Linux OS to version 1.2 of its FLEXXITY suite of software applications, which includes Dailies, Playout and Archive -- which speaks especially to ARRI Alexa output.
March 3, 2010, 11:39 am
It’s no secret that Canon 5Ds are everywhere. They’ve shot music videos, short films, commercials and more Vimeo videos than anyone can imagine. One place where I haven’t heard about a lot of usage (as of yet anyway) is in multicamera concert production.
March 3, 2010, 11:37 am
First, Canon announced a BETA availability date for their EOS Log and Transfer plugin for Final Cut Pro. Well, not a specific date, but sometime in March. This software product will be made freely available for DSLR video users and enables simple and straightforward acquisition of footage from CF cards via Log and Transfer, just like you would with P2, XDCAM, Red, etc.
March 3, 2010, 11:36 am
The Canon 5D MKII 24p update was just announced, and people are flipping out. Now, many people have been using the 5D for video at 30fps (and conforming it to 29.97), and others have been using Twixtor (check the comments) and other tools to conform it to 24p.
March 3, 2010, 11:36 am
So, that project that I took from FCP and converted to Avid, you know, this, this and this one? Well, after sending off three of five masters, we got notes back. Not QC (quality check) notes like one would expect, but some more online notes like "blur this more, blur that...and blur that," and "the graphics are the old ones, please replace with the new ones, link below, and the font needs to change as well."
March 2, 2010, 12:51 pm
Here's part 1 of my interview with Bobbie O'Steen. Bobbie is an Emmy nominated editor and author of The Invisible Cut and Cut to the Chase. She also interviews editors and examines scenes with them in front of live audiences.
March 2, 2010, 11:34 am
Watching an editor cut - even if you’re hellbent on becoming one yourself - is excruciating, like watching paint dry. A veteran comedy editor changed that all for me. In 1985 I was hired to assist Dann Cahn on Ediflex, a new non-linear VHS-based editing.
March 2, 2010, 11:31 am
If you were looking for a single web destination that is a clearing house for all things Final Cut Pro then FinalCutters has to be that destination. It’s attempting to do what seems like the near impossible and pull together news, blog posts, photos, Twitter tweets, user reviews and ratings and build a community right there at the site.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
Gordon Burkell sits down with Bill Turro to talk about the editing of GLOW on Netflix. This is the first in a three-part seri ...
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