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  • AOTG

    BFS Honorary Member Annette Dorn has Passed Away

    December 17, 2011, 8:35 am
    (In German) Annette Dorn was one of the founding members, has lifted the 1984 Association of Movie section from the cradle. Not only as a board they contributed significantly to the development of the association. Above all, she has also always been committed to education and training of the assistant editors. Some of our esteemed colleagues have their first steps into the profession in the editing room by Annette made ​​mandrel. Even her daughter Wiebke Brinsa-Bauml they taught the craft...

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  • Other Postings By Member

    • Talk One is Done!
      EDITING

      Talk One is Done!

      August 7, 2009, 5:12 pm
      So the first panel is done. Some of the important information is: <br><br> ACE is making a film about the Moviola Editing Room (You heard right)<br> Don't put ashes on the negative<br> People won't laugh unless their engaged<br> Make as many contacts as possible<br> Don't burn bridges. Their harder to rebuild the second time<br> Keep in touch with your contacts<br> Try to get into the UNION

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    • Here we go!
      EDITING

      Here we go!

      August 7, 2009, 5:11 pm
      Woke up and my producer came out wearing a shirt that read: "But what I really want to do is direct", couldn't help but laugh out loud.

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    • We've Finally Made it!
      EDITING

      We've Finally Made it!

      August 7, 2009, 5:10 pm
      Lauren Woodcock (Cutting Room Producer) and I (Gordon Burkell) have landed and we're now trying to find food. The trip was much shorter than the six hours we were told. Mark Livolsi might not be able to be interviewed tomorrow due to a screening. Here's hoping his screening goes well. It's 3:37AM in Toronto and 12:37AM here in LA. Time to find some food and get ready for tomorrow.

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    • Follow us to Edit Fest LA
      EDITING

      Follow us to Edit Fest LA

      August 6, 2009, 5:09 pm
      This will be our location for up to the minute news about the LA Edit Fest. In the coming days we'll be documenting the event as well as interviewing editors for the site. The interviews will include: Steven Rosenblum, Malcolm Jamieson, Mark Livolsi, Michael Miller and many more. If you have questions you think should be asked to these editors let us know on Twitter You can also follow the event on twitter through us. As usual you can also leave comments.

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    • AOTG
      EDITING

      LAFCPUG Takes Look at FCP 7

      August 5, 2009, 5:07 pm
      LAFCPUG is holding an event to look into the new FCP and FCS. It'll take place on the 26th of August.

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    • Shutter Skew Software
      EDITING

      Shutter Skew Software

      August 5, 2009, 5:07 pm
      Studio Daily blog is reviewing The Foundry's new software for editors. The software is titled Rolling Shutter and it's designed to reduce shutter skew.

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    • AOTG
      EDITING

      Edit Fest LA SOLD OUT!

      August 4, 2009, 5:06 pm
      EDIT FEST LA is officially SOLD OUT! BUT you can follow everything on Art of the Guillotine both our Editfest blog and our twitter. Expect audio within a week.

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    • AOTG
      EDITING

      Final Cut Pro Killer Secrets with Martin Baker

      August 3, 2009, 5:05 pm
      Recorded at the FCPUG London Supermeet, 25 June, 2009

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    • AOTG
      EDITING

      In Review: Media 100 Suite v.14

      August 2, 2009, 5:04 pm
      As all the major NLEs continue to develop and claw for market share, their feature sets and capabilities have increasingly become quite similar. The key differences between NLEs, aside from price and "IMHO," are in the interface and workflow design.

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    • AOTG
      EDITING

      Walter Murch Develops the HD FCP Workflow 4 Tetro

      August 1, 2009, 5:03 pm
      Age can sometimes be an impediment to inspired filmmaking, but Francis Ford Coppola, who recently turned 70, has tackled his latest endeavor with the enthusiasm and creativity of a young film school graduate. The film Tetro opened June 11 in New York and Los Angeles and will enter wider distribution in the weeks that follow. Coppola set up camp in a two-story house in Buenos Aires and much of the film was produced in Argentina. This house became the film’s headquarters for production and post...

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