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  • It's a Boy again Linkage: December 2011

    It's a Boy again Linkage: December 2011

    December 17, 2011, 3:38 pm
    Here's some holiday gift ideas from both myself and Prolost as well as gifts for DPs. Avid Media Composer 6 is now out in the world. Read about it here and here.

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  • Other Postings By Member

    • Animation Nominations at the Oscars (and Razzies)
      ANIMATION

      Animation Nominations at the Oscars (and Razzies)

      January 28, 2018, 5:52 am
      It’s Oscar season! The time of the year that the Academy of Motion Picture Arts and Sciences will honour the best in cinema. The various nominees for the upcoming 90th Academy Awards, set to be hosted by comedian Jimmy Kimmel, were revealed on January 23. Movies like The Shape of Water and Dunkirk are among the top nominees, but for this article, we’ll be looking into the animation categories.

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    • ACE Eddie Awards 2018 Winners
      EDITING

      ACE Eddie Awards 2018 Winners

      January 27, 2018, 1:10 pm
      With the PGA bestowing its top honor on The Shape of Water and the DGA and WGA awards still to come, more niche organizations of somewhat substantial bearing on the Oscars have been not-so-quietly putting out their awards. Chief among them is the American Cinema Editors’ Eddie Awards, which charts the best editing in movies and tv every year and announced its winners early this morning.

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    • ACE Editing Awards Winners
      EDITING

      ACE Editing Awards Winners

      January 27, 2018, 5:14 am
      The cascading timeline structure of Christopher Nolan’s “Dunkirk” and the manic assemblage of “I, Tonya” were among the editing feats that wowed the American Cinema Editors organization this year. The two films won the dramatic and comedy prizes, respectively, at the 68th annual ACE Eddie Awards.

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    • ACE Eddie Awards 2018 Winners List
      EDITING

      ACE Eddie Awards 2018 Winners List

      January 27, 2018, 5:14 am
      Dunkirk and I, Tonya were the big winners tonight at the 68th annual ACE Eddie Awards, taking the respective marquee prizes for Best Edited Feature Dramatic and Comedy. Both films are nominated for the Best Editing Academy Award.

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    • AOTG
      EDITING

      The best computers for video editing 2018

      January 27, 2018, 5:14 am
      Looking for a desktop setup to edit video? We've picked out a selection of incredible computers that will make your footage look fantastic.

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    • AOTG
      SOUND

      Daw Controller Platform

      January 27, 2018, 5:14 am
      At NAMM 2018 Synthax has let us know that Icon has announced that they're expanding their range of cost-effective DAW controllers with the release of the Platform B+ which provides further options in the form of banks of shortcut keys.

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    • AOTG
      EDITING

      ACE Eddie Awards 2018 Winners

      January 27, 2018, 5:13 am
      Congratulations to our User Alejandro Sanchez for a very good score of 66.67% when predicting the 2018 ACE Eddie Awards winners on Friday. He is actually tied with 52 others with that percentage but has the better point score of 8,025 by using the 500 super bets wisely.

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    • “We Cut Countless Versions of this Scene”
      EDITING

      “We Cut Countless Versions of this Scene”

      January 26, 2018, 5:19 pm
      Joshua Altman cut his first Sundance-bound documentary in 2009 with We Live in Public. The film – Altman's first as an editor of documentary features – went on to win the Grand Jury Prize for documentary at the festival. Since then, Altman has cut five more docs to premiere at Sundance: The Tillman Story (2010), Bones Brigade: an Autobiography (2012)...

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    • THE COMMUTER: Steve Begg - Overall VFX Supervisor
      EDITING

      THE COMMUTER: Steve Begg - Overall VFX Supervisor

      January 26, 2018, 11:17 am
      In 2015, Steve Begg explained his work on SPECTRE. He talks to us today about his work on THE COMMUTER.

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    • AOTG
      VFX

      90th Oscars: The Visual Effects Nominees

      January 26, 2018, 4:23 am
      Each year, here at Animation World Network, awards season marks the period on our calendar when we recognize and honor some of our industry’s most talented, dedicated and ground-breaking studios and artists responsible for the spectacular and breathtaking visuals created for feature films enjoyed around the world.

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