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December 31, 2011, 2:50 pm
Whenever editors begin a film, they enter into completely new territory and must adjust to and understand the director's way of working and thinking. Editor Jay Rabinowitz, A.C.E., has traveled among a particularly diverse group of directors and has been able to immerse himself in their worlds — while showing the courage and ingenuity to surprise them, which is what really sets an editor apart.
April 23, 2017, 2:26 pm
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February 17, 2015, 5:49 am
A masterpiece from Nicolas Roeg, Don’t Look Now, adapted from a story by Daphne du Maurier, is a brilliantly disturbing tale of the supernatural, as renowned for its innovative editing and haunting cinematography as its naturalistic eroticism and unforgettable climax and denouement, one of the great endings in horror history.
Sebastián Sepúlveda joins Gordon to discuss the editing of the film Jackie. They explore how structuring a real ...
Stuart joins Gordon to discuss A Series of Unfortunate Events for Netflix and what the difference is between working for Broa ...
In this episode of The Cutting Room, we explain just where we have been for the past four months. We'll begin regularly ...
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