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  • Digital Production Buzz — Jan. 12, 2012

    Digital Production Buzz — Jan. 12, 2012

    January 11, 2012, 10:33 am
    News from Boris FX, A New Look at 3D TV, Post-production in Florida, Improving Images Over Cable. GUESTS: Oliver Peters, Boris Yamnitsky, Davide Ferri, and Simen Frostad

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  • Other Postings By Member

    • Pro Sound Awards: Not long left to nominate your R
      SOUND

      Pro Sound Awards: Not long left to nominate your R

      July 28, 2017, 5:48 am
      With preparations now underway for the 2017 Pro Sound Awards, we at Audio Media International are now on the hunt for our next pro audio Rising Star, and there is now just one week left until the deadline for entries.

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    • AOTG
      EDITING

      EditReady 2.0.3 Released

      July 28, 2017, 5:48 am
      We just posted a new release, EditReady 2.0.3, which improves playback performance and resolves a handful of issues. It is recommended for all users.

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    • AOTG
      ANIMATION

      VALERIAN: Previs reel by Halon

      July 28, 2017, 5:48 am
      Halon presents their previs work on VALERIAN AND THE CITY OF A THOUSAND PLANETS...

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    • AOTG
      VFX

      Jellyfish Pictures Launches VFX & Animation Techno

      July 27, 2017, 4:17 pm
      New cloud hybrid rendering and virtual studio platform for VFX and animation studios to be introduced at SIGGRAPH 2017.

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    • 'Arrival,' 'Dunkirk' and the Distraction of Nonlin
      EDITING

      'Arrival,' 'Dunkirk' and the Distraction of Nonlin

      July 27, 2017, 12:55 pm
      When people tell me to just turn my brain off and enjoy a movie, I wish that it were so easy. I’ve been trained to overthink films as I watch them. I have two degrees in the study of cinema. I can’t ignore what I know or how I’ve been wired to always analyze images I’m seeing on screen as they’re cut together any more than a mechanic can stare at a puttering motor and pretend not to know how to fix it.

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    • Dunkirk and the Very Loud Sounds of War
      SOUND

      Dunkirk and the Very Loud Sounds of War

      July 27, 2017, 12:55 pm
      To help convey the “visceral realism” of Christopher Nolan’s “Dunkirk,” the director needed an intense soundscape for the legendary evacuation of more than 300,000 British and Allied troops under German bombardment.

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    • The Visual Affects of Reality
      VFX

      The Visual Affects of Reality

      July 27, 2017, 12:55 pm
      Two days after wrapping on the $65 million dollar budget film Pete’s Dragon, David Lowery headed home to Texas to make a small film (literally, the aspect ratio is 1.37:1) with a group of friends called A Ghost Story. The budget? $100,000. In itself, the budget is a good marker of how different the films are. And yet in both films, Lowery uses visual effects in a very calculated and affecting way, two qualities that are often lacking in effects-heavy films nowadays. Indeed, many an article has been written about the CGI overkill in Hollywood franchises. In his article for Variety on The Age of Ultron, Brian Lowry argues that “the ability to mount enormous battles featuring multiple super-powered characters, however, has become its own trap. And while the results can be visually astounding, the movies regularly feel as lifeless and mechanized as the technology responsible for bringing those visions to fruition.”

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    • Spark CG Society: INTERVIEW
      ANIMATION

      Spark CG Society: INTERVIEW

      July 27, 2017, 12:52 pm
      We’ve all probably sent emojis from our smart phones, in our emails, and in messaging apps. Now Sony Animation has taken us into the animated film world of the ubiquitous ideograms with Tony Leondis’ The Emoji Movie.

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    • AOTG
      EDITING

      How Schoonmaker Tamed the Beastly 'Raging Bull'

      July 27, 2017, 9:10 am
      Frequently voted one of the best films of the 1980s, Martin Scorsese's Raging Bull, the story of self-destructive pugilist Jake La Motta, was a labor of love and genius. This is particularly true on the part of the film's editor, Thelma Schoonmaker, ACE, who played the KEM editing machine like a harpsichord. A long-time Scorsese collaborator, she would win her first Academy Award for the epic.

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    • AOTG
      EDITING

      5 Simple Tips for Creating Efficient Workflows

      July 27, 2017, 9:10 am
      Bueller… Bueller? Didn't think so. More often than not, people strive to work better, not just harder or more often. And when you don't take the time to plan ahead and implement process into your workflows, it's easy for something to get lost in the shuffle.

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