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  • AOTG

    ACE Nominee's Announced

    January 12, 2010, 7:51 am
    The ACE has announced the Nominees for the 2010 Eddies. To see the List click the link below.
    Below is a list of the 2010 Eddie Award Nominees. The awards will take place February 14, 2010.






    NOMINEES FOR 60TH ANNUAL ACE EDDIE AWARDS



    BEST EDITED FEATURE FILM (DRAMATIC):

    Avatar

    Stephen Rivkin, A.C.E., John Refoua, A.C.E. &

    James Cameron, A.C.E.




    District 9


    Julian Clarke



    The Hurt Locker

    Bob Murawski & Chris Innis



    Star Trek


    Maryann Brandon, A.C.E. & Mary Jo Markey, A.C.E.


    Up in the Air

    Dana Glauberman, A.C.E.


    BEST EDITED FEATURE FILM (COMEDY OR MUSICAL):


    500 Days of Summer

    Alan Edward Bell


    The Hangover

    Debra Neil-Fisher, A.C.E.


    Julie & Julia


    Richard Marks, A.C.E.


    A Serious Man

    Roderick Jaynes


    It's Complicated

    Joe Hutshing, A.C.E. & David Moritz






    BEST EDITED ANIMATED FEATURE FILM:

    Coraline

    Christopher Murrie & Ronald Sanders



    Fantastic Mr. Fox


    Andrew Weisblum


    UP

    Kevin Nolting




    BEST EDITED HALF-HOUR SERIES FOR TELEVISION:


    30 Rock: "Apollo Apollo"


    Ken Eluto, A.C.E.


    Curb Your Enthusiasm: "The Bare Midriff"

    Steven Rasch, A.C.E.


    Entourage: "The Sorkin Notes"

    Steven Sprung, A.C.E.






    BEST EDITED ONE-HOUR SERIES FOR COMMERCIAL TELEVISION:

    (First time with 5 Nominees)

    24: "8pm-9pm"

    Leon Ortiz Gil, A.C.E.


    Breaking Bad: "ABQ"


    Lynne Willingham, A.C.E.



    ER: "And in the End"

    Randy Jon Morgan, A.C.E. & Jacque Toberen


    Law & Order SVU: "Hardwired"

    Karen Stern, A.C.E.



    Lost: "The Life and Death of Jeremy Bentham"

    Christopher Nelson, A.C.E.



    BEST EDITED ONE-HOUR SERIES FOR NON-COMMERCIAL TELEVISION:

    Dexter: "Living the Dream"

    Stewart Schill



    Dexter: "Remains to be Seen"

    Louis Cioffi


    True Blood: "Hard-Hearted Hannah"

    Louise Innes




    BEST EDITED MINISERIES OR MOTION PICTURE FOR TELEVISION:


    Grey Gardens

    Alan Heim, A.C.E. & Lee Percy, A.C.E.


    Into The Storm

    John Bloom & Antonia Van Drimmelen



    Taking Chance


    Lee Percy, A.C.E. & Brian A. Kates, A.C.E.


    BEST EDITED DOCUMENTARY:

    The Cove


    Geoffrey Richman


    Food, Inc.


    Kim Roberts


    This Is It

    Don Brochu & Kevin Stitt, A.C.E.





    BEST EDITED REALITY SERIES:

    The Deadliest Catch: Stay Focused Ordie


    Kelly Coskran & Josh Earl


    Expedition Africa: Stanley and Livingstone


    Jonathon Braun, A.C.E., Brad Ley, Sven Pape &

    Molly Schock


    Top Chef: The Last Supper


    Annie Tighe, Alan Hoang, Adrienne Salisbury &

    Kevin Leffler

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  • Other Postings By Member

    • Eddie Hamilton, ACE on Kingsman 2
      EDITING

      Eddie Hamilton, ACE on Kingsman 2

      September 23, 2017, 8:36 am
      This is Art of the Cut’s second interview with Eddie Hamilton, ACE. The first one was about Mission: Impossible – Rogue Nation. Hamilton’s other previous work includes co-editing Kick-Ass with Oscar-winner, Pietro Scalia, ACE, and editing X-Men: First Class among many others.

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    • AOTG
      VFX

      VIKINGS - 419: VFX Breakdown by Mr. X

      September 22, 2017, 4:19 pm
      Here is the VFX Breakdown by Mr. X about their work on the episode 419 of VIKINGS...

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    • AOTG
      VFX

      BWIN "The Race": Making of by Glassworks

      September 22, 2017, 9:08 am
      BWIN “THE RACE”: MAKING OF BY GLASSWORKS

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    • AOTG
      VFX

      Raptor VFX Breakdown

      September 22, 2017, 9:08 am
      UNIT IMAGE presents Raptor VFX Breakdown.

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    • AOTG
      ANIMATION

      Houdini 16 Heightfields

      September 22, 2017, 5:16 am
      Houdini 16’s new terrain tools are built on heightfields. Heightfields in Houdini are groups of 2D volumes displayed in the viewport and at render time, as a distorted grid. In this masterclass, we delve into what these are, and how you can use them beyond terrains.

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    • AOTG
      ANIMATION

      Create a Text Reveal Motion Graphic in Blender: Pa

      September 22, 2017, 5:16 am
      Create a Text Reveal Motion Graphic in Blender: Part 1

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    • A Newbie Looks at EditFest LA
      EDITING

      A Newbie Looks at EditFest LA

      September 21, 2017, 4:39 am
      Editor’s Note: The Blue Collar Post Collective is a 501c3 non-profit organization that seeks to support emerging talent in all areas of post production. BCPC does this through free meet-ups and events, and a financial aid program called the Professional Development Accessibility Program (PDAP).

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    • AOTG
      EDITING

      Noob Mistakes You'll Want to Avoid as an Editor

      September 21, 2017, 4:39 am
      Learning the craft of editing is a real challenge with so many opportunities to look like a complete and utter noob. For those of us who have ever worked professionally as an editor, we can all collectively wince as we think back unfondly at the countless mistakes we made in our early days, but for those of you who are new to editing, well, you just get to learn from our green-eyed blunders.

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    • VFX Podcast - IT
      VFX

      VFX Podcast - IT

      September 20, 2017, 5:17 pm
      In this episode, Matt Wallin, Matt Leonard and Jason Diamond discuss the new film IT.

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    • A Love Letter to The Perfect Sounds of Cinema
      SOUND

      A Love Letter to The Perfect Sounds of Cinema

      September 20, 2017, 8:13 am
      While they have their own Oscar’s category and on occasion take over the iTunes’ charts, the musical accompaniment to our favorite films and TV shows often seem invisible. This is both a good and a bad thing. To not notice a song or a score in the background of a scene means that the perfect song has been chosen or the perfect score has been crafted and the sound work is smooth, but noticing the impact this sound design has on the story of the film or television show should be something we always try to do. Especially when considering it has such a strong role in guiding our emotions to where the storytellers intended them to go.

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