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  • AOTG

    ACE Nominee's Announced

    January 12, 2010, 7:51 am
    The ACE has announced the Nominees for the 2010 Eddies. To see the List click the link below.
    Below is a list of the 2010 Eddie Award Nominees. The awards will take place February 14, 2010.






    NOMINEES FOR 60TH ANNUAL ACE EDDIE AWARDS



    BEST EDITED FEATURE FILM (DRAMATIC):

    Avatar

    Stephen Rivkin, A.C.E., John Refoua, A.C.E. &

    James Cameron, A.C.E.




    District 9


    Julian Clarke



    The Hurt Locker

    Bob Murawski & Chris Innis



    Star Trek


    Maryann Brandon, A.C.E. & Mary Jo Markey, A.C.E.


    Up in the Air

    Dana Glauberman, A.C.E.


    BEST EDITED FEATURE FILM (COMEDY OR MUSICAL):


    500 Days of Summer

    Alan Edward Bell


    The Hangover

    Debra Neil-Fisher, A.C.E.


    Julie & Julia


    Richard Marks, A.C.E.


    A Serious Man

    Roderick Jaynes


    It's Complicated

    Joe Hutshing, A.C.E. & David Moritz






    BEST EDITED ANIMATED FEATURE FILM:

    Coraline

    Christopher Murrie & Ronald Sanders



    Fantastic Mr. Fox


    Andrew Weisblum


    UP

    Kevin Nolting




    BEST EDITED HALF-HOUR SERIES FOR TELEVISION:


    30 Rock: "Apollo Apollo"


    Ken Eluto, A.C.E.


    Curb Your Enthusiasm: "The Bare Midriff"

    Steven Rasch, A.C.E.


    Entourage: "The Sorkin Notes"

    Steven Sprung, A.C.E.






    BEST EDITED ONE-HOUR SERIES FOR COMMERCIAL TELEVISION:

    (First time with 5 Nominees)

    24: "8pm-9pm"

    Leon Ortiz Gil, A.C.E.


    Breaking Bad: "ABQ"


    Lynne Willingham, A.C.E.



    ER: "And in the End"

    Randy Jon Morgan, A.C.E. & Jacque Toberen


    Law & Order SVU: "Hardwired"

    Karen Stern, A.C.E.



    Lost: "The Life and Death of Jeremy Bentham"

    Christopher Nelson, A.C.E.



    BEST EDITED ONE-HOUR SERIES FOR NON-COMMERCIAL TELEVISION:

    Dexter: "Living the Dream"

    Stewart Schill



    Dexter: "Remains to be Seen"

    Louis Cioffi


    True Blood: "Hard-Hearted Hannah"

    Louise Innes




    BEST EDITED MINISERIES OR MOTION PICTURE FOR TELEVISION:


    Grey Gardens

    Alan Heim, A.C.E. & Lee Percy, A.C.E.


    Into The Storm

    John Bloom & Antonia Van Drimmelen



    Taking Chance


    Lee Percy, A.C.E. & Brian A. Kates, A.C.E.


    BEST EDITED DOCUMENTARY:

    The Cove


    Geoffrey Richman


    Food, Inc.


    Kim Roberts


    This Is It

    Don Brochu & Kevin Stitt, A.C.E.





    BEST EDITED REALITY SERIES:

    The Deadliest Catch: Stay Focused Ordie


    Kelly Coskran & Josh Earl


    Expedition Africa: Stanley and Livingstone


    Jonathon Braun, A.C.E., Brad Ley, Sven Pape &

    Molly Schock


    Top Chef: The Last Supper


    Annie Tighe, Alan Hoang, Adrienne Salisbury &

    Kevin Leffler

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  • Other Postings By Member

    • AOTG
      ANIMATION

      Siggraph Unveils 2017 Lineup

      June 24, 2017, 8:40 am
      Ten Virtual Reality experiences and 22 features, short films, commercials and game trailers are selected for the 2017 SIGGRAPH Computer Animation Festival.

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    • AOTG
      EDITING

      Frame.io Enterprise Powers Collaboration for...

      June 23, 2017, 12:11 pm
      New York City, NY – June 20, 2017 – Frame.io, developers of the video review and collaboration platform for content creators, has just launched Frame.io Enterprise, helping large organizations power their video creation at scale. Frame.io Enterprise is already being used by the likes of Vice, Turner Broadcasting Systems, BuzzFeed, DJI and more.

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    • AOTG
      VFX

      LEGENDS OF TOMORROW (Episode 207): VFX Breakdown

      June 23, 2017, 12:02 pm
      Encore have released this VFX Breakdown about their work on the episode 207 of LEGENDS OF TOMORROW...

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    • AOTG
      EDITING

      Pond5: a new add-on for Adobe Premiere Pro

      June 23, 2017, 12:01 pm
      Pond5 announced a new free plug-in for Adobe Premiere Pro that makes millions of royalty-free HD and 4K video as well as music and sound effects immediately accessible from directly within the NLE.

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    • AOTG
      VFX

      The Last Kingdom Season 2 VFX Breakdown

      June 23, 2017, 4:17 am
      Blue Bolt delivered 527 shots for the second season of this Viking-era epic. We created extensive set extensions and locations, bringing 9th century Saxon England to life. Among the most notable creations was a fully CG Viking ship that features repeatedly throughout episode 3, including in a spectacular storm sequence.

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    • AOTG
      EDITING

      Let's Edit with Media Composer - Working with Mask

      June 23, 2017, 4:17 am
      On thing that I always try to focus on in my Media Composer tutorials are “hidden” or tucked away features that may have been added to Media Composer, in a point update, but has for the most part gone unnoticed by the community at large and, for me, Mask Margins is definitely one of those features.

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    • VFX - Wonder Woman
      VFX

      VFX - Wonder Woman

      June 23, 2017, 4:16 am
      In this episode we discuss the summer blockbuster hit Wonder Woman.

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    • AOTG
      VFX

      Adobe Acquires Mettle's Skybox Tools

      June 22, 2017, 5:30 pm
      The acquisition accelerates Adobe’s position in the cutting-edge 360-degree film and virtual reality media, allowing native integration of SkyBox plugin functionality in future releases of Premiere Pro and After Effects.

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    • AOTG
      VFX

      Siggraph 2017 to Host VR Presentation

      June 22, 2017, 5:30 pm
      Director of immersive platforms storytelling for ‘The New York Times’ Graham Roberts will present a 40-minute talk about the organization’s VR expertise and integration of the new medium into the media outlet’s news reporting through NYT VR, as well as insight into the making of the 10-minute short film ‘The Antarctica Series: Under A Cracked Sky,’ executive produced by Roberts and one of four films in the Times’ Antarctica series.

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    • Stuart Bass on A Series of Unfortunate Events
      EDITING

      Stuart Bass on A Series of Unfortunate Events

      June 22, 2017, 2:53 pm
      Stuart joins Gordon to discuss A Series of Unfortunate Events for Netflix and what the difference is between working for Broadcasters and Neflix.

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