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December 27, 2018, 5:24 pm
“He was not interested in what I had to say and was completely unwilling to have a conversation with me about the negotiation issues that were so deeply important to the livelihoods of our members,” she wrote. Citing 2018 as “a year of great awakening for our guild,” she recalled how her members stood ready to strike for shorter workdays and more funding for their pension plan – only to have their demands ignored by Loeb.
December 27, 2018, 5:24 pm
Before 2018 ends, AJA introduces another solution for deep color workflows over SDI, at up to 4K and 8K resolutions, which will be widely used next year. Meet the KUMO 1616-12G.
December 27, 2018, 10:10 am
Nigel Denton-Howes told us about Prime Focus’s work on THE EXPENDABLES 3 in 2014. He then joined Framestore and worked on AVENGERS: AGE OF ULTRON. He talks to us today about his work as Overall VFX Supervisor on MOWGLI – LEGEND OF THE JUNGLE.
December 26, 2018, 8:51 am
In this exclusive conversation we talk with Supervising sound editors and sound designers Renee Tondelli and Eugene Gerty about their recent work on Mary Poppins Returns directed by Rob Marshall and features Emily Blunt, Lin-Manuel Miranda, Ben Whishaw, Emily Mortimer, Meryl Streep, Colin Firth and surprise performances from Dick Van Dyke and Angela Lansbury.
December 25, 2018, 8:49 am
Universal is ending the year on a sour note thanks to back-to-back bombs of its two vfx-driven films: Christian Rivers’ Mortal Engines and Robert Zemeckis’ Welcome to Marwen. The failure of these films, which could reach between $150-200 million, will have a negative effect on other studios as well, who will now be more reluctant to invest in original vfx-driven films, continuing Hollywood’s reliance on franchises, sequels, and reboots for the foreseeable ftuure.
December 24, 2018, 10:44 am
Making a film about the things you love is what Eye of the Beholder is all about. Three years on the road and one at the editing console, all because of a passion: the classic Dungeons & Dragons tabletop game.
December 23, 2018, 7:16 am
Robert Fisher Jr. most recently served as lead editor on Sony Pictures Animation’s computer-animated Spider-Man: Into the Spider-Verse, now in theaters. Robert has been a member of the Sony Pictures Animation family since 2009 having worked on both Cloudy with a Chance of Meatballs films and the short, The Smurfs: A Christmas Carol.
December 22, 2018, 7:04 am
On the heels of this week’s announcement of the 10 animated short films vying for a nomination at the 91st Academy Awards, here’s a closer look at the films that made the cut.
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
Bill Curso is a makeup artist with thirty plus years under his belt, he’s got three Oscar nominations with one win, fiv ...
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