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  • AOTG

    mono Taps Into CRASH+SUES' Editorial + Post T

    January 27, 2012, 11:04 am
    Minneapolis, MN: CRASH+SUES was called upon by mono to bring its fresh aesthetic to the editing, color correction and graphics for SoundAffects, Parsons The New School for Design's multi-platform exploration of the relationship between music, design and technology. Conceived by mono, a Minneapolis-based advertising agency known for its forward-thinking creative solutions, the physical installation, online experiment and media content are driven by Parsons' mission to raise people's awareness..

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  • Other Postings By Member

    • Solutions to Resolve Part 3: Unexpected clipping w
      EDITING

      Solutions to Resolve Part 3: Unexpected clipping w

      October 22, 2018, 4:36 am
      One of the great features of Resolve is that it works in 32bit float. This means that it can cope with a virtually limitless dynamic range, and, most importantly, it will conserve that range however much you raise or lower the video levels from one node to another.

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    • AOTG
      SOUND

      7 More Pro Tools Functions I Cannot Live Without

      October 22, 2018, 4:35 am
      My name is Lucy J Mitchell and I am a freelance Sound Editor and Dubbing Mixer for TV, Film and Computer Games living on the Surrey-London border and have been working in the Audio Post Production industry for almost 10 years. Pro Tools has SO many functions, some of which have been cleverly added over time thanks to user experience feedback, so well done you!

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    • The Keys to Finding a Compatible Editor
      EDITING

      The Keys to Finding a Compatible Editor

      October 22, 2018, 4:35 am
      What every helmer needs from an editor is "great taste, a sense of timing," and someone who "accentuates the poetry of your story by creating an associative flow," says Beautiful Boy writer-director Felix Van Groeningen.

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    • AOTG
      EDITING

      Resolve 15.1.2 and BRAW 12:1 Footage

      October 21, 2018, 7:31 am
      Blackmagic Design recently released a new update to DaVinci Resolve 15. With the latest Resolve 15.1.2 update, several addresses issues and bug fixes are addressed. Resolve 15.1.2 fixes issues where running DaVinci Resolve on case sensitive drive volumes would cause problems in prior versions, and also includes stability improvements for Windows laptops running CUDA acceleration.

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    • The Reality About Failure In Hollywood by Jeffrey
      EDITING

      The Reality About Failure In Hollywood by Jeffrey

      October 21, 2018, 7:31 am
      Film Courage: You said something earlier on writing something which you are precious about, that at some point there is a letting go process knowing once it’s out of your hands it may be changed?

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    • Grading Similes
      COLOR

      Grading Similes

      October 20, 2018, 6:50 am
      A LUT is like a music loop or sample within a song, it can contribute to a grade, but it shouldn’t BE the grade. Automatic correction is like autotune, it can solve problems, but it shouldn’t be the main flavor of your grade. Plugins are like audio effects, a bit can give music texture, but too much makes it look like you’re concealing problems.

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    • Oscar-winner, William Goldenberg Interview
      EDITING

      Oscar-winner, William Goldenberg Interview

      October 19, 2018, 12:10 pm
      William Goldenberg, ACE, won Oscars for editing Zero Dark Thirty (with Dylan Tichenor, ACE) and for Argo. He received additional Oscar nominations and ACE Eddies for Seabiscuit, The Insider and The Imitation Game. His filmography also includes editing Concussion, Unbroken, Transformers: Age of Extinction, and National Treasure among many others.

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    • AOTG
      SOUND

      Friday Free Plug-in - Krush From Tritik

      October 19, 2018, 12:10 pm
      What Is Krush? With its bit crushing and downsampling algorithms, Krush combines the crispy taste of the digital realm with the warmth of its drive stage and analog modelled resonant filters. A modulation section allows you to quickly add extra life to the sound by modulating any parameter.

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    • Should Bug Fixes Only Be Available To Current Subs
      SOUND

      Should Bug Fixes Only Be Available To Current Subs

      October 19, 2018, 9:27 am
      In this week’s podcast, Russ, Dan and Julian discuss ask whether bug fixes should only be availble to current Pro Tools subscribers, they talk about the choices at the inexpensive end of the monitor market, they share community feedback, and their finds of the week. Also in this week's Podcast, there is an opportunity to get an exclusive discount of an Exponential Audio plug-in, but you have to listen to the podcast to get the discount code!

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    • AOTG
      EDITING

      Evercast Livestreams Any Post-Production Workflow

      October 19, 2018, 9:25 am
      As the appetite for content grows (and film and television productions continue to send creative teams all over the world to shoot), the ability to get all creatives in one place at one time to collaborate becomes more challenging and more expensive. But it doesn't have to be, thanks to a new collaborative tool: Evercast.

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