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  • AOTG

    Blackmagic Design Releases Support For FCPX

    February 1, 2012, 3:10 pm
    Blackmagic Design today released Desktop Video 9.2 beta 1, a software update for its capture and playback products that adds broadcast monitoring support with the new Final Cut Pro X 10.0.3 update.
    Blackmagic Design Releases Support For Final Cut Pro X 10.0.3 Broadcast Monitoring



    Fremont, USA - February 1, 2012 - Blackmagic Design today released Desktop Video 9.2 beta 1, a software update for its capture and playback products that adds broadcast monitoring support with the new Final Cut Pro X 10.0.3 update.



    Desktop Video 9.2 beta 1 for Mac OS X is available for download now and is free of charge for all Blackmagic Design customers. This update includes support for all current DeckLink, Multibridge, Intensity and UltraStudio models.



    Broadcast monitoring in Final Cut Pro 10.0.3 allows video output to external monitors and other equipment using the SDI, HDMI or analog video outputs from Blackmagic Design video hardware.



    Desktop Video 9.2 beta 1 includes a new control panel for selecting the video output format from Final Cut Pro X for output to devices such as broadcast quality monitors, HDTVs and projectors, so you can see exactly what your master will look like in television colorspace.



    Desktop Video 9.2 beta 1 also includes Media Express 3.1 beta. Media Express provides capture, logging and management of video files to Final Cut Pro X compatible formats including ProRes and uncompressed video. Media Express features timecode accurate video capture from professional VTRs with RS-422 control, the ability to log additional metadata and to create custom bins for managing all project video media.



    Final Cut Pro X 10.0.3 includes XML 1.1 for exporting primary color grades to DaVinci Resolve. This improved XML support makes it easier to move projects from FCP X to Resolve as any primary color changes carried out during editing can now be imported and applied automatically within Resolve. Once a project has been color graded with DaVinci Resolve it can be reopened simply within Final Cut Pro X for any further editing.



    “We are extremely pleased to provide immediate support for the new monitoring feature in Final Cut Pro X 10.0.3,” said Grant Petty, CEO of Blackmagic Design. “Now working with Final Cut Pro X is even better since our customers can accurately view projects on whatever monitor they choose and can ensure that their final output meets crucial broadcast standards.”



    Availability and Price
    Desktop Video 9.2 beta 1 for Mac OS X is available now free of charge
    from the Blackmagic Design support page at www.blackmagic-design.com/support.



    Press Photography



    Images of all Blackmagic Design products are available at: www.blackmagic-design.com/press/images.



    About Blackmagic Design



    Blackmagic Design creates the world’s highest quality video editing products, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and film restoration software for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability, while the company’s DaVinci EmmyTM award winning color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including stereoscopic 3D and 4K workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore, and Australia. For more information, please check www.blackmagic-design.com.



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  • Other Postings By Member

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      Movistar Cangrejo VFX Breakdown

      April 21, 2018, 8:05 am
      Miopia FX – A VFX breakdown to show the work behind the Movistar launch.

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    • 6 podcasts worth hearing: Master mastering, the so
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      6 podcasts worth hearing: Master mastering, the so

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      If your feel your eyes need a break but you still want to learn about sound design for film and games, here are some fantastic hosts to regale you.

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    • AOTG
      VFX

      How to Animate a Twirling Woman in AE

      April 20, 2018, 11:40 am
      In this tutorial, we will walk through the steps in animating a twirling character using Toon Boom Stage 10. We will learn how to draw rough poses, how to polish them, and how to transform them into a smooth, seamless animation!

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    • AOTG
      ANIMATION

      Animation Workshop Mike Kersey #3

      April 20, 2018, 8:20 am
      Animation Workshop Mike Kersey #3

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    • The Biased Editing of 'Big Little Lies'
      EDITING

      The Biased Editing of 'Big Little Lies'

      April 19, 2018, 12:48 pm
      “Editing is unique to film,” Stanley Kubrick told Rolling Stone in 1987. “You can see something from different points of view almost simultaneously, and it creates a new experience.” Big Little Lies director Jean-Marc Vallée certainly agrees. Throughout the series, Vallée uses editing as a passageway into characters’ points of view, subjectively portraying objective realities. In his detailed and insightful video essay “Editing & Empathy in Big Little Lies,” Mzak explores how Vallée uses creative, subtle editing devices to share characters’ points of view.

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    • AOTG
      EDITING

      Larry Jordan: Thoughts on NAB

      April 19, 2018, 12:48 pm
      For those that stopped by the Digital Production Buzz booth in South Lower, it was great to see you. I just wish our production schedule allowed me more time to visit. I always enjoy chatting with you.

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    • AOTG
      EDITING

      How to Use Motion Graphics Templates in Premiere

      April 19, 2018, 9:10 am
      It doesn’t matter if you’re short on time, lack design skills, or just plain hate creating graphics — Premiere Pro has you covered with motion graphics templates. Whether you need a credit roll, lower thirds, titles, slates, captions, transitions, looping backgrounds, or logos, Adobe has plenty of available options. The good news? You don’t even have to leave the program to use them.

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    • AOTG
      VFX

      Ready Player One Virtual prod. and Motion Capt.

      April 19, 2018, 4:59 am
      Much of Steven Spielberg’s Ready Player One is set in the Oasis, a virtual reality world full of digital avatars, game and film characters, and expansive cg environments. To produce that world, the director relied heavily on a virtual production methodology overseen by Digital Domain where actors were filmed in motion capture volumes and where shots could be designed and tweaked live with a simul-cam or ‘v-cam.’

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    • AOTG
      EDITING

      Resolve Tutorial Import Media Composer Timelines

      April 18, 2018, 12:58 pm
      Last time, in our look at learning DaVinci Resolve, we talked about the basics of importing footage into your Media Pool. In the next three articles, I want to look at bringing in footage from the three major NLE’s, Avid Media Composer, Adobe Premiere Pro and Final Cut Pro X, as this is one of the more common workflows, as editors more more and more towards doing their color correcting in Resolve. Let’s get started by looking at getting your footage out of Media Composer and into Resolve.

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    • Western Digital Introduces 14TB CMR HDD
      EDITING

      Western Digital Introduces 14TB CMR HDD

      April 18, 2018, 10:01 am
      Today Western Digital Corporation (WDC) introduced its highest capacity conventional magnetic recording (CMR) HDD with the Ultrastar DC HC520. The HC520 comes in capacities up to 14TB introducing a new, lower level of TCO for the cloud and enterprise guys. The new drive leverages WD’s fifth-generation HelioSeal technology to help deliver density, and better power usage per TB, and price per TB.

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