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August 22, 2015, 2:27 am
Guest writer, Julien Chichignoud recently caught up with Bill Roberts, Adobe's Sr. Director of Product Managment for Video to discuss the company's editing & film products. This is the first of our two-part series on the future of Adobe and what that means for indie filmmakers.
September 9, 2013, 4:42 am
As our product manager Steve Forde just announced, After Effects CC (12.1) is due for release in October 2013. If you have a Creative Cloud membership, you always have access to the latest version of After Effects, so you’ll have access to this update as soon it’s released. Go to the Creative Cloud site to download applications or to sign up for Creative Cloud. For information about purchasing a Creative Cloud subscription, see this page about plans and this page with current promotiona...
September 9, 2013, 4:42 am
It’s hard to believe we delivered After Effects CC (12.0) just this June. Here we are just a few months later, and we are about to deliver another feature-rich update to After Effects that I think you will find hugely beneficial. Then again, this is the power of Adobe Creative Cloud. In fact, our job developing and shipping After Effects has changed dramatically from trying to solely create “whiz-bang” features in the hopes that users will upgrade, to retaining you as a satisfied Crea...
March 1, 2013, 2:18 pm
This week's tutorial is all about the chroma key effect. If you're shooting green screen, you're going to want to check out this tutorial as Axel takes you through the basics, explaining how to achieve high quality keys in only a handful of steps. He also delves into the spill suppression features, which can really help to bind your composited layers together.
February 6, 2013, 11:55 am
Nancy presents the intro to the tutorial series, where Trevor explains how to create his 3D Superman logo. He walks us through his meticulous design and creative processes, where he explains the importance of research in redesigning a logo. This includes his reviews and critiques of classic Superman logos. Technically, Trevor’s comfortable working in Maya and ZBrush, but he chooses to work with ShapeShifter AE. He’s truly inspiring, and a great teacher!
February 4, 2013, 7:46 pm
"My journey with After Effects is a reflection of my journey as a creative. Fear, skepticism, blood, tears, mocking, understanding, confidence. The cycle repeats sometimes, but it expands and contracts too. Some days it's a thing of wonder and beauty, other days it's collapsing in on itself like a dying star.
January 30, 2013, 8:22 am
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 65: In this second follow-on tutorial, Andrew Devis continues to demonstrate how to apply a color Expression Controller to one part of the production and then how to quickly apply it to other parts of the same composition.
January 28, 2013, 2:12 pm
Join After Effects creators, Dave Simons and Dan Wilk, as they take you on a trip down memory lane to see how After Effects started—from concept to initial user interface. See how much After Effects has changed throughout the years and why things are simply the way they are.
January 28, 2013, 8:45 am
(In Spanish) ¡Nueva entrega del curso gratis Basic Training After Effects! En este nuevo vídeo tutorial veremos como podemos modificar el aspecto de las luces traseras de un autobús, utilizando la herramienta vectorial de clonado conjuntamente con los trackers.
The day footage hits your desk, so do stacks of production documents—scripts, storyboards, transcripts, shot logs, audio...
This discussion thread is for the The Cutting Room episode where Gordon interviews Wyatt Smith, editor of Nine, Ricki and ...
join us and Tim Hanson to discuss the VFX and post process of The Avengers: Age of Ultron. Ask him about his process, tech...
Gordon sits down with Wyatt Smith, editor of Nine, Ricki and the Flash, Into the Woods, Thor II, and more! They discuss how h ...
In June 2015, Gordon hosted a panel for Manhattan Edit Workshop's "Sight, Sound and Story" event. The panel wa ...
In this episode, Gordon interviews Dan Lebental about his process for editing the latest Marvel extravaganza, Ant-Man. We now ...
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