Be a part of a unique online community that connects post production professionals and film academics worldwide.
You'll have access to personalize your news feed, access to Live Post Talks and much more. Contribute to the community by posting interesting post production content.
September 9, 2013, 4:42 am
As our product manager Steve Forde just announced, After Effects CC (12.1) is due for release in October 2013. If you have a Creative Cloud membership, you always have access to the latest version of After Effects, so you’ll have access to this update as soon it’s released. Go to the Creative Cloud site to download applications or to sign up for Creative Cloud. For information about purchasing a Creative Cloud subscription, see this page about plans and this page with current promotiona...
September 9, 2013, 4:42 am
It’s hard to believe we delivered After Effects CC (12.0) just this June. Here we are just a few months later, and we are about to deliver another feature-rich update to After Effects that I think you will find hugely beneficial. Then again, this is the power of Adobe Creative Cloud. In fact, our job developing and shipping After Effects has changed dramatically from trying to solely create “whiz-bang” features in the hopes that users will upgrade, to retaining you as a satisfied Crea...
March 1, 2013, 2:18 pm
This week's tutorial is all about the chroma key effect. If you're shooting green screen, you're going to want to check out this tutorial as Axel takes you through the basics, explaining how to achieve high quality keys in only a handful of steps. He also delves into the spill suppression features, which can really help to bind your composited layers together.
February 6, 2013, 11:55 am
Nancy presents the intro to the tutorial series, where Trevor explains how to create his 3D Superman logo. He walks us through his meticulous design and creative processes, where he explains the importance of research in redesigning a logo. This includes his reviews and critiques of classic Superman logos. Technically, Trevor’s comfortable working in Maya and ZBrush, but he chooses to work with ShapeShifter AE. He’s truly inspiring, and a great teacher!
February 4, 2013, 7:46 pm
"My journey with After Effects is a reflection of my journey as a creative. Fear, skepticism, blood, tears, mocking, understanding, confidence. The cycle repeats sometimes, but it expands and contracts too. Some days it's a thing of wonder and beauty, other days it's collapsing in on itself like a dying star.
January 30, 2013, 8:22 am
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 65: In this second follow-on tutorial, Andrew Devis continues to demonstrate how to apply a color Expression Controller to one part of the production and then how to quickly apply it to other parts of the same composition.
January 28, 2013, 2:12 pm
Join After Effects creators, Dave Simons and Dan Wilk, as they take you on a trip down memory lane to see how After Effects started—from concept to initial user interface. See how much After Effects has changed throughout the years and why things are simply the way they are.
January 28, 2013, 8:45 am
(In Spanish) ¡Nueva entrega del curso gratis Basic Training After Effects! En este nuevo vídeo tutorial veremos como podemos modificar el aspecto de las luces traseras de un autobús, utilizando la herramienta vectorial de clonado conjuntamente con los trackers.
January 27, 2013, 4:01 pm
“I can’t believe I’m talking to these guys,” I thought. “They’re spending their time talking to me–and they’re so down-to-earth!” That was in 2000, when I first met the brains behind After Effects. (I’d just joined Adobe, aspiring to build “AE for the Web.”) 13 years later, I still feel just the same. In any industry full of half-hit wonders acting like they’ve just cured cancer, I find Dave, Dan, and all the AE guys as relentlessly humble and passionate as can be.
If you saw the article on Film School Rejects about The lazy backlash against CGI, I want to know your thoughts? Is the au...
We all know multiple NLE's these days, if you have a choice on a project, what NLE do you choose and why?
In this episode, Gordon interviews Dan Lebental about his process for editing the latest Marvel extravaganza, Ant-Man. We now ...
The latest film post production news in under 5 minutes. This week's news includes Sennheiser fiscal, Disney honours, Aa ...
Probably the most frequent question I get from editors is about a target level for their audio mix. I hear numbers such as 0 ...
Choose what Post News gets sent directly to your E-Mail, daily or weekly.
Get your post news on your favourite Apple device, when you want it where you want it.
Get your post news on your favourite Android device with the AOTG Android App.