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June 8, 2017, 10:43 am
PART 2: TUBE-MODELED COMPRESSOR, PARAMETRIC EQ, AUDIO KEYFRAMING, HARD LIMITER — This Premiere Pro Audio Workflow Guide for Editors is a 2-part series that identifies "essential" audio tools in Premiere Pro, and shows how to use them in a real-world audio workflow. This series is modeled after the audio workflow of veteran editor and trainer, Paul Murphy, who shares his recommendations for producing a professional mix in Premiere Pro.
June 2, 2017, 1:51 pm
PART 1: LOUDNESS AUTO-MATCH, AUDIO GAIN, AND LOUDNESS RADAR. This Premiere Pro Audio Workflow Guide for Editors is a 2-part series that identifies "essential" audio tools in Premiere Pro, and shows how to use them in a real-world audio workflow. Part 1 focuses on how to use the Loudness Auto-Match button, Audio Gain, and the Loudness Radar to achieve a target loudness, particularly for the web. This series is modeled after the audio workflow of veteran editor and trainer, Paul Murphy, who shares
May 25, 2017, 1:54 pm
One of Premiere Pro's greatest strengths is it's fully customizable interface. It's important to understand the inner workings of workspaces if you want to work faster in Premiere Pro. This in-depth blog post will help editors understand how to manage Premiere Pro workspaces and troubleshoot unresponsive or missing workspaces.
May 17, 2017, 11:52 am
Adobe has released an update (11.1) for Premiere Pro CC 2017 that fixes a critical bug that deleted user media files when the new automatic media cache management tools were used incorrectly.
Gordon Burkell sits down to talk Punk Rock, documentary editing and directing with Shaun Colon. Check out his film A Fat Wrec ...
Gordon Burkell sits down with Tristan Oliver to discuss his work on Isle of Dogs for Wes Anderson.
Gordon Burkell sits down with Joe Letteri to discuss his Oscar-nominated work on War for the Planet of the Apes.
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