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February 14, 2018, 8:10 pm
In which I review an easy (and free) app from Digital Rebellion that easily lets you trash, backup, and restore preferences for your creative software.
December 19, 2017, 3:50 pm
XTRMX enters into an Avid Alliance Partner Agreement paving the way for a compelling new offering for Avid customers
December 3, 2017, 4:13 am
Edit8 Transcriber not only facilitates automatic transcription using Google Speech recognition engine, but at the same time, it allows users to manually add markers, comments to Avid source clips outside Avid environment.
April 22, 2017, 1:06 pm
Avid announced that a new free version of Media Composer will be demoed this year at NAB. Called Avid Media Composer | First, it provides a way for people new to the industry such as students or professionals just starting out.
February 23, 2017, 5:33 am
If you're thinking of switching NLE then this post will give you a good idea of what's in store for you, whether that's switching to Premiere or FCPX or Avid or even DaVinci Resolve.
September 27, 2016, 3:22 am
Dual Audio and Audio sync for Avid made easy. Simply select clips , right click , send to Entangle, and drag back the resulting AAF.
June 30, 2016, 2:28 pm
Avid just updated Media Composer to version 8.6 and provided some handy new features in the process. Check out what's included in this round up of the features in 8.6 and a look back to 8.5!
June 23, 2016, 9:58 pm
Discover how Avid shared storage and the Avid Artist | DNxIO video interface provide Warrior Poets with the cutting-edge workflows they need to produce the high-quality and engaging content that audiences demand. Production teams can access and share media instantly, work with media in any resolution, and turn around demanding projects fast. And thanks to the openness of Avid Everywhere, the solutions work seamlessly with the company’s existing workflows.
Learn more on http://avid.com/...
May 9, 2016, 3:11 pm
Today's guest is Mark Hartzell (editor on True Blood, Agent Carter, Animal Kingdom) to talk about how he got into TV editing and what the differences are between TV editors and feature film editors.
What it's like transitioning from show-to-show often
How does the workflow differ between shows?
How do you know when to say "No" to a script?
...and how do you do it politely and professionally so that bridges don't get burned?
How to work your way onto one of the BIG shows like Agent Carter?
April 8, 2016, 4:13 am
If you want to learn to edit documentaries, there are few better teachers than FRONTLINE editor, Steve Audette. In this round up of tips and tutorials from Steve you can learn a lot about his creative process.
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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