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January 7, 2013, 9:23 am
Avid Media Composer 6.5 has a number of new features that it shares with Avid’s step-up in terms of colour management, Symphony 6.5. The new features are mainly situated in the domain of audio support, better file relinking management, codec support, and advanced features. But I was mainly interested in Symphony 6.5 because of its colour editing capabilities.
January 6, 2013, 3:45 pm
Biscardi Creative Media is now accepting resumes for freelance editors. We will have a contract video editor position available in the near future. BCM is looking for entry level to experienced editors as we have all manner of projects lining up for 2013. BCM primarily uses the Adobe Creative Suite, though we also run Avid [...]
January 5, 2013, 4:14 pm
Undoubtedly this year will continue the trend of fractured market share for edit systems. If you tally up every system in general use, your professional choices include NLE systems from Adobe, Apple, Avid, Autodesk, Boris/Media 100, Dayang, Editshare/Lightworks , Grass Valley, SGO, Sony and Quantel. In most US markets, the split in market dominance boils...
December 30, 2012, 10:25 am
Path Text Animation: In this lesson, Kevin P McAuliffe shows you how to animate text on a path, and also a couple of tricks to spice up your animation once it's back in the Symphony interface.
December 30, 2012, 10:23 am
Basic Animation and Rendering: In this lesson, Kevin P McAuliffe talks about basic animating in Marquee, and shows you why it's better to do your animation there, as opposed to doing it in the 3D Warp tool. He also discusses rendering/saving out your titles, and how simple it is, so you're back up and editing in no time flat!
December 29, 2012, 8:42 am
Great news! Avid's Special 25th Anniversary PromotionsEXTENDED THROUGH DECEMBER 31stCrossgrade from Final Cut to Avid Media Composer for $979Upgrade from Avid Media Composer, Xpress DV or Pro to the complete Avid Symphony for $979Plus VIDEOGUYS Bonus - FREE COD Training!
December 26, 2012, 4:40 pm
There is pent up demand for a high-powered NLE designed around a standard layout. Autodesk is trying to satisfy this desire with Smoke 2013. This version is optimized for the Mac interface and operating system and is intended as an easier transition for editors coming from Avid Media Composer and Final Cut Pro. It gives editors the best of both worlds, with a timeline that functions in a known fashion coupled to node-based effects common to Flame.
The filmmakeru.com team explores the history of color in film in our series Birth of an Art. From coloring in single frames ...
Gordon sits down with Ivan Victor to discuss his work editing 68 Whiskey.
Gordon sits down to discuss the VFX of The Lion King with VFX supervisor Rob Legato
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