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November 21, 2012, 12:42 pm
MONTREAL -- Matrox Video Products Group has released a unified driver on the PC that provides support for the latest software releases for the Avid Media Composer family of products and Adobe CS6 Production Premium on the Matrox MXO2 and Matrox MXO2 Max families of I/O devices, and the Matrox Mojito Max I/O card.
November 21, 2012, 7:22 am
In post production, I've always been a fan of the products from Adobe. I cut my teeth on programs like Photoshop 7, After Effects 5.5, even Image Ready (remember that?). But for editing, I never really got into Premiere Pro, and instead focused my attention on Final Cut Pro (from version 3 onwards). However, this year I finally made the decision to migrate to Premiere Pro CS6, as Final Cut Pro X has some infamous issues.
November 20, 2012, 10:43 pm
Imagine some of the world’s most progressive snowboarders risking their lives to shoot in beautiful remote locations—all cut to great music. This year, Burton Snowboards chased winter to produce an original film to kick off the season, inspiring both core riders and newcomers to the sport.
November 19, 2012, 12:25 pm
Save time in Adobe Premiere Pro by using the same titles in multiple projects! By default Premiere Pro keeps within project files, but this quick tip shows two ways to share titles between projects - a potential timesaver!
November 19, 2012, 12:20 pm
This article is part of a new series of posts with tips and tricks from our producers' experience working with Adobe Premiere Pro after years of working in Final Cut Pro. To read more about why we made the switch, check out this post.
November 17, 2012, 8:52 am
If you just got in on a RED camera for a tremendous price, and you aren’t familiar to the RED workflow, it can be a little confusing at first, especially since RAW files offer a tremendous amount of flexbility. If you’ve got Adobe Premiere Pro CS6, RED has put together a little video showing exactly what you need to do to get started working with RED RAW files and manipulating them within the program.
November 16, 2012, 5:25 pm
It's been a long time coming, but I've finally finished building my "Vintage FX" presets for Premiere Pro. For most editing workflows, using presets in Premiere Pro is better than using them with After Effects. But, there are a few presets that are only achievable in After Effects; such as the light leaks, and the dirt and grime effect.
Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her work on the hit Netflix ...
Gordon sits down to talk to Emmy Nominated editors Kate Sanford & Tim Streeto to discuss their work on the Marvelous Mrs. ...
Gordon sits down with Wade Barnett(Supervising Sound Editor) and David Barbee (Sound Designer) to discuss their work on Amazo ...
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