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December 30, 2012, 10:28 am
I was a FCP Editor/Trainer for 10 years. Since FCP X replaced FCP 7 I have been transitioning to an Adobe workflow. Like myself, a lot of former FCP editors are trying out Adobe's Production Premium (equivalent to FCP Studio) or the new Creative Cloud subscription model. In this article I'll look at using Adobe Prelude from a former FCP user's perspective.
December 29, 2012, 4:41 pm
For those of you coming to Premiere Pro from FCP7, there is a similar preference in Premiere Pro called "scale to frame size". However, there is one notable difference. In FCP7, when you insert a clip into a timeline, the clip is automatically scaled to the dimensions of the sequence, and the scale percentage is automatically set in the Motion tab.
December 28, 2012, 3:05 pm
One of my favorite tasks at the end of every year is digging into StudioDaily's analytics and tallying the pageviews for the most popular stories we published in the last 12-month period. The traffic stats always yield an interesting mix of content, from product reviews and case studies to NAB news and business stories. They reveal what we've been spending a lot of time thinking about in the last year and, sometimes, they reveal what we'll still be considering in the next one. Here's part 2...
December 27, 2012, 8:23 am
While I sit at my parents house for the holidays, I thought I’d jump on the blog and keep myself busy. The next installment of the LUT series is on its way, but in the meantime I wanted to talk about Premiere Pro CS6′s merged clips and how they translate through Final Cut Pro XML files to the venerable Final Cut Pro 7.
December 26, 2012, 4:39 pm
Producing with multiple cameras is the easiest way to make your output look more professional, but if you’re not switching live on location, you’ll have to edit in post. This tutorial shows you how to synch and edit your multiple camera clips in Adobe Premiere Pro CS6.
December 23, 2012, 11:35 am
In this tutorial, Andrew Devis explains how to use the 'Find Faces' function in Premiere Pro which can be a useful function to search/filter in the project panel to display only clips showing people. Although a useful function, it does take a while to analyze the clips, so it isn't always a fast solution.
December 23, 2012, 11:33 am
In this tutorial, Andrew Devis shows how to use the Speech Analysis function inside of Premiere Pro. Andrew starts by showing how to find and download speech modules for languages other than English US and then goes on to analyze two clips, one with stylized English and one with normal English to show how well Premiere Pro copes.
December 23, 2012, 11:31 am
In this tutorial, Andrew Devis shows how to use the 'Warp Stabilizer' effect in Premiere Pro. This powerful effect can be used to stabilize hand help or shaky footage so that the end result will be smooth motion or even no motion for the clip it is applied to.
December 23, 2012, 11:29 am
In this tutorial, Andrew Devis goes through the new and improved multi-camera work-flow in Premiere Pro CS6, which includes the option to use as many cameras as your system can cope with! Andrew shows how to use three clips in this tutorial, how to set them up with a synchronizing point and then how to trim footage back into the multi-camera sequence if the synchronizing points weren't in a good place.
December 23, 2012, 11:28 am
In this final tutorial in this Premiere Pro Basics (CS6 & above) series, Andrew Devis shows how to use the Rolling Shutter Repair effects which deals with the problem of footage from a camera phone or a DSLR (CMOS sensors) which look wobbly or jelly-like when panned quickly. The obvious solution is to avoid fast pans with this type of camera, if possible.
The filmmakeru.com team explores the history of color in film in our series Birth of an Art. From coloring in single frames ...
Gordon sits down with Ivan Victor to discuss his work editing 68 Whiskey.
Gordon sits down to discuss the VFX of The Lion King with VFX supervisor Rob Legato
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