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September 5, 2017, 7:45 am
Blackmagic Design today announced that Tokyo based production company, Assemblage, used a Blackmagic URSA Mini Pro 4.6K and DaVinci Resolve Studio with DaVinci Resolve Mini Panel for gaming giant Riot Games’ latest video project.
August 30, 2017, 12:22 pm
Blackmagic Design today announced that “Climate Fightback,” a three-episode documentary jointly produced by China and South Korea’s Entertainment Co., Ltd., was graded by colorist Luo Chengyuan with DaVinci Resolve Studio software and the DaVinci Resolve Mini Panel.
August 24, 2017, 1:33 pm
Blackmagic Design has today announced its DaVinci Resolve Studio and DaVinci Resolve Advanced Panel were used to complete picture post in Ultra HD 4K on the third season of award winning Canal+ French drama series, “Le Bureau des Légendes.”
July 25, 2017, 1:35 pm
Blackmagic Design today announced that Mark Todd Osborne, founder and senior digital colorist of MTO Color Inc., conformed, graded and finished the new independent film “A Little Something for Your Birthday” using a DaVinci Resolve Mini Panel alongside DaVinci Resolve Studio.
July 7, 2017, 8:13 am
Blackmagic Design announced today that TV Tokyo’s new drama series “Izakaya Fuji,” which begins airing this July 8th, was shot using two Blackmagic URSA Mini 4.6Ks as the A and B cameras, as well as Blackmagic’s Video Assist and Video Assist 4K and SmartView 4K. On-set and final grading for the series was done using DaVinci Resolve Studio 14 and the DaVinci Resolve Mini Panel.
June 28, 2017, 1:58 pm
Blackmagic Design today announced that Tokyo based post production house Digital Garden updated to a new 12G-SDI machine room using Blackmagic Design’s Teranex AVs and Teranex Minis.
June 27, 2017, 9:31 am
Blackmagic Design today announced that audiovisual production and distribution company RUNNING TV has implemented the Blackmagic Cintel Film Scanner as part of a workflow that has seen it digitize more than 100 archived Italian films spanning the 1920s through to the 1950s.
June 23, 2017, 6:23 am
Designed around the new RED IPP2 pipeline, it includes 103 3D LUTs for use in post and in camera (cameras with IPP2 support). You can use these LUTs in REDCINE-X regardless of color science used but they are intended to be applied to footage using the REDWideGamutRGB color and LOG3G10 gamma.
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