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May 31, 2017, 2:02 pm
Blackmagic Design has today announced that ITN Productions has expanded its post production capabilities following an investment of £1.4 million in a new state of the art facility built on a 12G-SDI backbone and featuring software and infrastructure products from Blackmagic Design.
May 19, 2017, 11:02 am
Come and see the latest Blackmagic Design solutions for video, television and film production at the Blackmagic Design NAB 2017 Roadshow! Don’t miss the opportunity for hands-on demonstrations of the newly announced DaVinci Resolve 14, ATEM Television Studio Pro HD, Blackmagic URSA Mini Pro and more.
May 19, 2017, 10:38 am
Blackmagic Design today announced that award winning Singapore-based short film director Daniel Yam shot his new short film, “Time,” using URSA Mini Pro and completed color correction using DaVinci Resolve. The film marks Viddsee’s first original short film, which was commissioned as part of Viddsee’s partnership with the Singapore Film Commission, a division of Singapore’s Info-Communications Media Development Authority.
April 24, 2017, 12:15 pm
New features include up to 10 times performance increase, Fairlight audio built into DaVinci Resolve, and multi user collaboration tools that let multiple people edit, color and mix audio from multiple systems, all in the same project at the same time. Biggest news to me, is that the price is a startlingly low $299. At that point it is hard to argue against a purchase.
April 20, 2017, 9:43 am
Blackmagic Design today announced the Japan Institute of the Moving Image has installed and is using Blackmagic Cintel Film Scanner for archiving student films that have been shot at the college over the past four decades.
April 12, 2017, 10:02 am
Blackmagic Design today announced that Shanghai based MZ Studio graded Chinese smartphone maker vivo’s X9 commercial, starring Taiwanese icon Eddie Peng Yu-yen, with DaVinci Resolve Studio and DaVinci Resolve Advanced Panel.
April 12, 2017, 9:21 am
The sensor itself is a CMOSIS CMV12000 with a resolution of 4096×3072, a color depth of 12-bit, and 300FPS capture (if in 10-bit). apertus° recently released a collection of clips shot over an 18 month testing period on a variety of lenses including Nikon primes, Contax, M42, Canon and other Nikon lenses.
April 3, 2017, 9:25 am
Following up my IPP2 Writeup , RED has released Build 6.4.17 for DSMC2 Cameras along with an updated Redcine-X. IPP2 promises better management of challenging colors, an improved demosaicing algorithm to achieve higher detail at the same pixel resolution. See the before/afters when demosiaced with the new RedcineX
March 24, 2017, 10:43 am
Blackmagic Design today announced that HBC Flex has installed a Blackmagic Cintel Film Scanner to archive numerous films they have produced over their more than 50 years of filmmaking.
Gordon sits down to discuss the VFX of The Lion King with VFX supervisor Rob Legato
In this bonus episode, Gordon sits down with Dan Deleeuw, the visual effects supervisor for Avengers: Endgame.
Gordon sits down with Jinmo Yang to discuss the editing of Parasite, the hit Korean film and a must see for everyone.
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