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January 23, 2020, 12:42 am
Hollywood, CA - Wednesday, January 22, 2020 - Blackmagic Design announced today that EFILM Senior Colorist Skip Kimball used DaVinci Resolve Studio to grade Twentieth Century Fox’s “Ford vs Ferrari.”
January 23, 2020, 12:33 am
Fremont, CA - January 21, 2020 - Blackmagic Design today announced that Nippon Design Center Inc. used DaVinci Resolve Studio for a promotional movie for TOYOTA's new concept car “RHOMBUS." Nippon Design Center used the software as a pipeline tool for VFX to work from both Tokyo and Nagoya office in real time.
November 19, 2019, 5:36 pm
Fremont, CA - November 19, 2019 - Blackmagic Design today announced that Madrid based post house, Pigmento Color Grading, has switched to DaVinci Resolve Studio as part of a facility upgrade for HDR color correction and IMF format delivery.
November 7, 2019, 6:12 pm
Blackmagic Design today announced that filmmaker Hasraf (Haz) Dulull employed a Blackmagic RAW workflow throughout both the acquisition and post production of a new science fiction anthology feature, Portals.
November 5, 2019, 6:18 pm
Fremont, CA - November 5, 2019 - Blackmagic Design today announced that CHEAT has continued its expansion with DaVinci Resolve Studio, adding a new HDR ready grading suite as well as a research and development lab.
July 19, 2019, 2:08 pm
We all want to save time when color grading in Davinci Resolve and PixelTools PowerGrades Collection lets you create unique and adjustable looks quickly.
April 24, 2019, 10:13 am
Blackmagic Design announced today that the latest music video from Panic! At The Disco titled “Dancing’s Not A Crime” was shot on the URSA Mini Pro and Blackmagic Pocket Cinema Camera 4K using Blackmagic RAW. The video, shot by music video veteran Brandon Dermer, has become one of the fastest watched videos in the world and supports the bands hugely popular “Pray for the Wicked” world tour.
Gordon sits down to discuss the VFX of The Lion King with VFX supervisor Rob Legato
In this bonus episode, Gordon sits down with Dan Deleeuw, the visual effects supervisor for Avengers: Endgame.
Gordon sits down with Jinmo Yang to discuss the editing of Parasite, the hit Korean film and a must see for everyone.
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