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January 2, 2013, 1:18 pm
The media management and quality control handled by the digital imaging technician and post house is nearly universally vital in modern filmmaking, where each digital camera brings its own varying formats, workflows, and quirks. This need for DITs and post houses, however, may evaporate just as quickly as it has arisen — at least according to the predictions of Michael Cioni.
December 14, 2012, 1:13 pm
Hollywood post-production powerhouse Modern VideoFilm has chosen a UTAH-400/XL routing switcher from Utah Scientific to serve as the core of its infrastructure in its new 96,000sq-ft facility in Burbank, CA, which is the headquarters for its multi-city operation. Modern VideoFilm is using the new router to interconnect the facility's equipment and systems that record and monitor SDI video with embedded audio and timecode.
December 1, 2012, 6:22 pm
As soon as the MAY-JUN 12 issue of CineMontage — featuring "The 75 Best Edited Films" as selected by Editors Guild members — arrived in mailboxes, readers’ comments immediately ensued: Why was (insert title of your favorite film here) not included? Did Rope actually make the list, or is that a joke? Was it really possible that Citizen Kane was not number one? But the overwhelming question, from a curious film scholar's point of view: Why were there no films chosen from the 1930s — the only...
November 27, 2012, 7:57 am
Just two days before the premiere of The Hobbit, Peter Jackson's latest foray into the Tolkien universe, the film's post-production team was still hard at work, tweaking, assembling, even adding new animations and effects up to the very last minute.
November 23, 2012, 7:49 am
Well, I'm done with A HAUNTING. I sent off my last episode a couple weeks ago. The good news is that the ratings started out good, and only got better and better. So that means that another season is a strong possibility. Although if it happened it might not be for a while...
November 22, 2012, 12:55 pm
Last night I worked into the wee hours with editor friend Simon Reglar, planning the post production process for 50 Kisses. Simon is an old pal who worked with me on Urban Ghost Story before pursuing a career as an editor – he is currently wrapping up on Merlin for the BBC after which he will jump ship to edit 50 Kisses. FANTASTIC!
November 21, 2012, 12:56 pm
William Goldenberg is a seasoned film editor with two Academy Award nominations and a resume of feature films like no other. His most recent work, Argo, directed by Ben Affleck, is one of this year's top contenders for Oscar nominations.
November 20, 2012, 10:43 pm
Imagine some of the world’s most progressive snowboarders risking their lives to shoot in beautiful remote locations—all cut to great music. This year, Burton Snowboards chased winter to produce an original film to kick off the season, inspiring both core riders and newcomers to the sport.
November 20, 2012, 3:17 pm
Digital camera development has been running in high gear for several years, outpacing any other portion of our industry. Thanks to a revolution started by RED, Nikon and Canon, videographers are now blessed with a wide range of small, affordable, high-performance imaging systems that have liberated us from the restrictions of the mundane 2/3" video camera.
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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