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September 27, 2016, 12:50 am
if you ever edited on Avid lately, you would have probably asked one question, why does Avid has no match for Premiere/FCPX in-app Audio based sync? Yes, you could in theory use Plural Eyes, but even that as a workflow is a bit off-putting. Entangle for Avid tries to solve this by allowing to select number of files in Avid, right click on them and select Synchronize from the context menu. It's as easy as that. Once you've done the synchronization, you just drag a resulting AAF file into Avid.
August 15, 2013, 1:08 pm
The CPUG Network have announced the Sixth Annual Amsterdam SuperMeet, to take place Sunday, September 15, 2013 at the Hotel Krasnapolsky in the heart of Amsterdam. The Amsterdam SuperMeet promises to be the single largest gathering of Final Cut Pro, Adobe, Avid and Autodesk editors, gurus and digital filmmakers during the 2013 IBC Show. Tickets are on sale now and can be purchased at the SuperMeet web site.
February 22, 2013, 8:40 pm
In a continuing conversation with the Oscar season’s best-editing nominees, I recently had the privilege of talking with William Goldenberg, who is actually twice nominated—for Ben Affleck’s Argo and Kathryn Bigelow’s Zero Dark Thirty. (He shares the latter nomination with Dylan Tichenor.) Goldenberg was previously nominated for Seabiscuit and The Insider. Highlights from our conversation...
February 7, 2013, 12:00 pm
This episode Gordon talks to Norman about editing the cult classic Heathers. Also, 10 tens left before the closing of the job posting at USC. Finally, make sure to check out our friends podcast That Post Show!
January 31, 2013, 9:47 am
At last nights Lincoln showing, legendary film editor Michael Kahn shared his insights on his craft to an eager audience. Thanks to those tweeting here's a write up of what you missed...
January 26, 2013, 9:48 am
It was "tricky" to edit Kahaani that was "hinging on one twist", but as an editor Namrata Rao pulled it off so well that the thriller has won her several awards. While enjoying the recognition, she admits talent behind the camera is "getting the deserved exposure" and that she is being "paid quite a decent amount" for her work.
Gordon sits down with Federico Brusilovsky to discuss the editing of commercials and rebuilding older brands. He cuts in LA f ...
With the release of FRONTLINE'S latest 360 project, "Night of the Storm", Kenzie Audette reveals the post prod ...
Gordon sits down with Nicholas Monsour to discuss the editing of Keanu. They talk about the films timing and how tone shifts ...
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