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January 11, 2013, 10:49 am
Editorial and VFX tricks to fix your Indie feature in post production Editor/Director Ken Simpson has put together an hour long look at the raw, unvarnished truth about fixing your indie feature film in post production. Ken walks through examples...
January 10, 2013, 7:22 am
... I feel concerned that my error messages have now started to come from the future.
January 9, 2013, 3:19 pm
I love nothing more than a good gladiator battle. Well, maybe chocolate. In any case, have a watch: Leave your suggestions in the comment section below for general scene topics, as well as next time’s topic: Tarantino and Sally Menke team films!
January 5, 2013, 4:14 pm
Transcript and note emotional words too.(Good) detective example: let the story be told with the material that you have.Cut sound first than picture unless you edit something very visual.Let the sound tell the story.Rearrange your material. 'Don't make your viewers make any work' (a lot of distractions these days).MNN Seminar recorded on Wed May 9th 2012
January 3, 2013, 2:56 pm
NEW YORK — Once upon a time, the Saturday Night Live Film Unit –— those responsible for the fake commercials, shorts, title sequences and pre-recorded elements used in sketches — shot on 35mm film stock.
January 3, 2013, 2:53 pm
Managing expectations is something every editor has to learn how to do, but what about managing your own expectations? In this Track Matte Moment, editor Chris Visser tells us about the time he bit off more than he could chew and paid dearly for his eagerness. Many young editors take on projects without thinking closely...
Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her work on the hit Netflix ...
Gordon sits down to talk to Emmy Nominated editors Kate Sanford & Tim Streeto to discuss their work on the Marvelous Mrs. ...
Gordon sits down with Wade Barnett(Supervising Sound Editor) and David Barbee (Sound Designer) to discuss their work on Amazo ...
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