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January 11, 2013, 10:49 am
Editorial and VFX tricks to fix your Indie feature in post production Editor/Director Ken Simpson has put together an hour long look at the raw, unvarnished truth about fixing your indie feature film in post production. Ken walks through examples...
January 10, 2013, 7:22 am
... I feel concerned that my error messages have now started to come from the future.
January 9, 2013, 3:19 pm
I love nothing more than a good gladiator battle. Well, maybe chocolate. In any case, have a watch: Leave your suggestions in the comment section below for general scene topics, as well as next time’s topic: Tarantino and Sally Menke team films!
January 5, 2013, 4:14 pm
Transcript and note emotional words too.(Good) detective example: let the story be told with the material that you have.Cut sound first than picture unless you edit something very visual.Let the sound tell the story.Rearrange your material. 'Don't make your viewers make any work' (a lot of distractions these days).MNN Seminar recorded on Wed May 9th 2012
January 3, 2013, 2:56 pm
NEW YORK — Once upon a time, the Saturday Night Live Film Unit –— those responsible for the fake commercials, shorts, title sequences and pre-recorded elements used in sketches — shot on 35mm film stock.
January 3, 2013, 2:53 pm
Managing expectations is something every editor has to learn how to do, but what about managing your own expectations? In this Track Matte Moment, editor Chris Visser tells us about the time he bit off more than he could chew and paid dearly for his eagerness. Many young editors take on projects without thinking closely...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
Bill Curso is a makeup artist with thirty plus years under his belt, he’s got three Oscar nominations with one win, fiv ...
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