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January 3, 2013, 2:53 pm
Managing expectations is something every editor has to learn how to do, but what about managing your own expectations? In this Track Matte Moment, editor Chris Visser tells us about the time he bit off more than he could chew and paid dearly for his eagerness. Many young editors take on projects without thinking closely...
December 24, 2012, 10:08 am
Crockett Doob started editing Beasts of the Southern Wild from a house on the Bayou three miles from the production's headquarters. Born in Brooklyn, he grew up making movies with director Behn Zeitlin from the time that they were six.
December 22, 2012, 5:16 pm
January 9th, 2013 @ 7pm at the Showbiz Store & Cafe Welcome in the new year with two amazing presentations! Dan Lebantal, ACE - Workflow and the Creative Process Plus Editing on Your iPad with TouchEdit We are thrilled to have for the first time, Jon Favreau's Editor, Dan Lebantal ACE (Iron Man, Cowboys an Aliens) who...
December 20, 2012, 3:14 pm
Few films have the potential to be as politically charged as Zero Dark Thirty. Director Kathryn Bigelow (The Hurt Locker, K-19: The Widowmaker) and producer/writer Mark Boal (The Hurt Locker, In the Valley of Elah) have evaded those minefields by focusing on the relentless CIA detective work that led to the finding and killing of Osama bin Laden by U.S. Navy SEALs. Zero Dark Thirty is more of a suspenseful thriller than an action-adventure movie. It seeks to tell a raw, powerful story...
December 19, 2012, 7:54 am
DP/30: Silver Linings Playbook, director David O. Russell, editor Jay Cassidy - Shot in Los Angeles, December 2012
December 17, 2012, 12:58 pm
Monica Daniel always had a creative outlet growing up in the San Francisco Bay Area, but being a filmmaker never crossed her mind until her last year of college at UC Davis, where she earned a Bachelors of Science...
The filmmakeru.com team explores the history of color in film in our series Birth of an Art. From coloring in single frames ...
Gordon sits down with Ivan Victor to discuss his work editing 68 Whiskey.
Gordon sits down to discuss the VFX of The Lion King with VFX supervisor Rob Legato
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