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November 29, 2012, 10:10 pm
TIME.com is looking for an experienced and innovative online picture editor with a proven hard news background to curate visuals for the TIME.com homepage, site features, LightBox essays and photo galleries. Innovation and confidence is a must; TIME values team members who bring bold new ideas to an agile, forward-thinking, cutting-edge team – a team that is already refining the way it tells stories and fortifying a foundation for groundbreaking projects.
November 29, 2012, 2:58 pm
The Track Matte Moment is now an international sensation with this fabulous moment from Canadian editor Gordon Burkell. In this TMM, Gordon tells us about his first feature as an editor, the giant fuck-up it turned out to be, and how it all became a great jumping off point to some great relationships and stories...
November 28, 2012, 8:46 am
Dede Allen, Film Editor Interview Dede Allen was a veteran of the golden years of 60-70's Hollywood, editing films like The Hustler, Bonnie and Clyde, Serpico as well as other classics like The Breakfast Club, Wonderboys and over 30+ titles...
November 27, 2012, 10:37 pm
Laying out the rest of the groundwork for designing your project, this post concludes my four-part Laying out the rest of the groundwork for designing your project, this post concludes my four-part series on the magical, imagineering aspects and grounded engineering requirements of envisioning your film from an editorial standpoint. 3) Shoot right for postproduction...
November 27, 2012, 3:18 pm
Todd Gill is a freelance editor and colorist with over 12 years of experience in the post production industry. He has worked on many national, regional, and local TV campaigns, as well as, documentary, and corporate videos. Like most...
November 27, 2012, 3:17 pm
An early Christmas present. Michael Horton from the LACPUG has found the tapes from a 2006 interview with the film editor Dede Allen. Two hours of industry insight behind the editing of some big Hollywood films.
November 27, 2012, 8:07 am
In part 4 of our evening with Dede Allen, taped at the April 2006 lafcpug meeting, we take more questions from the audience. We touch on the role of Producers, her role as a VP of Post Production at Warner Bros. -
November 27, 2012, 8:07 am
In part 3 of our evening with Dede Allen, taped at the April 2006 lafcpug meeting, we take questions from the audience. We talk about cutting particular scenes on REDS, The HUSTLER, THE BREAKFAST CLUB, director Arthur Penn and others.
The filmmakeru.com team explores the history of color in film in our series Birth of an Art. From coloring in single frames ...
Gordon sits down with Ivan Victor to discuss his work editing 68 Whiskey.
Gordon sits down to discuss the VFX of The Lion King with VFX supervisor Rob Legato
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