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November 9, 2012, 1:04 pm
With Media Composer 6.0, Avid transformed the inner workings of its flagship NLE software to harness the power of 64-bit architecture, making it significantly faster, more efficient and more stable than ever before.
November 7, 2012, 12:55 pm
The Avid Fast Menu between the Splice-in and Overwrite buttons gives you access to the Tool Palette which has some handy functions while editing. (You can also access the Tool Palette via the Fast Menus above the Source and Record monitors.) You can change the functions and buttons on the Tool Palette by dragging it...
November 2, 2012, 10:22 pm
Here's your second installment this week of critical, interesting or bizzare issues you should know about.AvidMC 188.8.131.52 released with XDCAM Edit While Capture support and several AMA improvementsNew Sony AMA plugins to support the new XDCAM features of 184.108.40.206...
November 1, 2012, 8:27 am
In this tutorial, Kevin P McAuliffe introduces you to the Audio Mixer, the core tool for audio mixing. He shows you the basics about panning and adjusting your audio levels, and even gives you a great trick to adjust your audio tracks before you even edit them into your timeline.
November 1, 2012, 8:22 am
We're currently testing the Avid (formerly Euphonix) Artist Color control surface for colour grading – more on that soon. But, I wanted to share a few surprising discoveries I've made about using it for editing as well.
November 1, 2012, 8:15 am
In this lesson, Kevin P McAuliffe talks about a tool you'll want to have open at all times when working with audio, and that's the Audio Tool. Not only does it give you a close up look at your VU meters, but it also contains some commands you'll want to have at your finger tips when cutting with a client.
October 30, 2012, 10:23 pm
When editor Josh Young (Big Brother, Extreme Makeover: Home Edition, The Bachelor) isn't busy editing, his focus expands in multiple directions, from making and placing music to running a music/post studio. Now he wants to help you—students and the next generation of media professionals—on your journey through three mentoring Q/A sessions.
October 30, 2012, 10:12 pm
Ever since Apple blew up the happy world of FCP 7, we've been running into more and more people moving to Adobe and Avid. Adobe's been pretty good. I like them a lot and their support guys (I'm talking to you Bruce) have been awesome.
The filmmakeru.com team explores the history of color in film in our series Birth of an Art. From coloring in single frames ...
Gordon sits down with Ivan Victor to discuss his work editing 68 Whiskey.
Gordon sits down to discuss the VFX of The Lion King with VFX supervisor Rob Legato
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