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June 28, 2016, 10:08 pm
The article From Flatbed to Media Composer — Veteran Editor Ron Sussman Looks Back at 30 Years of Creative Tools by Ron Sussman appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
May 9, 2016, 3:11 pm
Today's guest is Mark Hartzell (editor on True Blood, Agent Carter, Animal Kingdom) to talk about how he got into TV editing and what the differences are between TV editors and feature film editors. What it's like transitioning from show-to-show often How does the workflow differ between shows? How do you know when to say "No" to a script? ...and how do you do it politely and professionally so that bridges don't get burned? How to work your way onto one of the BIG shows like Agent Carter?
April 8, 2016, 4:13 am
If you want to learn to edit documentaries, there are few better teachers than FRONTLINE editor, Steve Audette. In this round up of tips and tutorials from Steve you can learn a lot about his creative process.
March 12, 2016, 11:15 am
A lot of headaches can be avoided simply by asking the right question before you start working. We have 3 questions for the corporate/commercial editor and 3 for the narrative/feature film editor. So really you're getting double the value here.
August 24, 2013, 5:33 pm
The 7th installment of Avid's powerhouse NLE, Media Composer, is an impressive upgrade to previous versions. Not only is Media Composer considerably cheaper than it has ever been, but it also takes some cues from the competing NLE's, and adds some major time-saving features that make it a better fit into many of our editing workflows. Alex Walker, an immensely talented DP, has put together a quick video showing his favorite new features in Media Composer. Check out the video and see how MC7 can save you some time:
With the release of FRONTLINE'S latest 360 project, "Night of the Storm", Kenzie Audette reveals the post prod ...
Gordon sits down with Nicholas Monsour to discuss the editing of Keanu. They talk about the films timing and how tone shifts ...
There's one tool I've always wanted to have as a part of my editing room arsenal and that's iZotope's RX ...
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