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November 21, 2012, 7:21 am
In this Prosential tip, guest host James Zwadlo demonstrates different techniques for repositioning a keyframed motion path.
November 21, 2012, 7:12 am
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 57: In this tutorial looking at getting your production out of After Effects, Andrew Devis goes through the render settings dialogue box and explains why you would choose to export through After Effects and how to save a template of your choices.
November 17, 2012, 11:36 am
Get an inside perspective of what it's like to be a visual effects editor. In this post, we've rounded up the thoughts and experiences from three post-production pros. Interesting info for anyone breaking into the industry or thinking about specializing in VFX.
November 15, 2012, 10:14 pm
When: Wednesday, December 5th Time: 6:30pm – 8:30pm Cost: FREE!! Location: Manhattan Edit Workshop, 80 Fifth Avenue Suite 1501 New York, NY 10011 6:30pm: Refreshments and Meet & Greet at Manhattan Edit Workshop 7:00pm – 7:40pm: mocha Pro demo mocha Pro – Motion Tracking and Visual Effects with Ross Shain, CMO Imagineer Systems mocha Pro is the award winning Planar Tracking software...
November 13, 2012, 10:06 pm
Since receiving his engineering degree from the University of California at Berkeley in 1941, Vlahos has served the motion picture industry as a design engineer, field engineer, systems engineer and as the Chief Scientist for the Association of Motion Picture and Television Producers’ Research Center.
November 13, 2012, 3:14 pm
This Motion Control 3D tutorial shows how to create believable depth by adding ambient light to an animated photo in After Effects.
November 12, 2012, 5:06 am
There are a number of ways to generate the Matrix text effect, and reflex dictates a list. Several tutorials have been done using particles with Particle Playground and CC Particle World, and other built-in and 3rd-party tools.
November 6, 2012, 10:03 am
In 1992 a small company named Discreet Logic introduced a new software tool for creating visual special effects for film and TV. Created by Gary Tregaskis, it was originally named Flash, later changed to Flame. It didn't take long for the industry to warm up to the new software; "Super Mario Bros." was the first movie to use Flame a few months later. Not long after, Flame introduced 3D compositing, allowing video artists to composite on one layer in 3D that included lights, displacement...
November 5, 2012, 9:06 am
(Sydney, Australia--November 5, 2012) CoreMelt, a leading provider of advanced video plug-in effects for the editorial, design and visual effects communities, today announced the release of its SliceX product for Final Cut Pro X.
November 5, 2012, 9:02 am
While many cinematic title sequences suffer from a sense of autopilot, the main title for Cirque du Freak: The Vampire's Assistant keeps you guessing. Taking on the thrust of a children’s nightmare, the resulting aesthetic is innocent but deftly tuned with motifs of fear — a surefire way to take the edge off the sweetness.
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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