Be a part of a unique online community that connects post production professionals and film academics worldwide.
You'll have access to personalize your news feed, access to Live Post Talks and much more. Contribute to the community by posting interesting post production content.
January 21, 2013, 9:40 am
We've seen several updates last year making DaVinci Resolve lite (free) ever more user friendly and more accessible to users using semi professional hardware like Apple laptop computers and Blackmagic's low priced Cinema Camera.
January 21, 2013, 9:39 am
The increasing sophistication of the iPhone’s back camera has turned the smartphone into a movie-making device, with a number of accessories available to help make your amateur video look as professional as possible. This is true on the software side as well, with a growing proliferation of apps designed to make it easy—even effortless—to edit and share your favorite moments with friends and family.
January 21, 2013, 9:37 am
If we can predict just one thing for Apple in 2013, it's this: The company will continue to release products. But we're going to predict more than one thing (because we're crazy like that): Apple won't close down the business and give its money back to its shareholders, and it won't stop developing its major product lines. Here's how we think that development could go this year.
January 20, 2013, 11:25 am
You can dabble with Final Cut Pro X - or you can take this comprehensive course and learn to edit video like a true professional! Apple's non-linear video editing software is both powerful and affordable.
January 20, 2013, 11:23 am
You can use Apple's Windows ProRes codec to edit on Windows with Apple ProRes. You cannot export your Files to ProRes Windows. You can only read (edit) Prores on Windows. To get ProRes Codecs on Mac OS, for read (editing) and export of files, buy Motion from the Apple App Store. Avid's DNxHD codec is free for Windows and Mac OS and can read and write files on both.
January 16, 2013, 6:28 am
More than anything, users appreciate the undeniable consistency (and therefore, customer confidence) that comes with any Apple machine or app. This applies to both consumers and professionals, though some of the latter may hesitate in days to come. Of course, achieving this consistency can be a double-edged sword — the very measures that guarantee the quality you’ve come to know and respect of Apple computing are the same tendencies that see them labeled as “notoriously controlling.”
January 14, 2013, 8:48 pm
This walk through takes you behind the curtain to see some of the editing tips and tricks we use to make promos. There are other people who will teach you how to edit better than we can in FCPX, but we try to give you a big picture look.
January 14, 2013, 8:42 pm
One other thing. I wrote this review because a lot of reviews I’ve read were either passionate filmmakers pissed off (therefore biased against writing an objective review), veteran editors who have a financial incentive for you to get FCPX...
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
Choose what Post News gets sent directly to your E-Mail, daily or weekly.
Get your post news on your favourite Apple device, when you want it where you want it.
Get your post news on your favourite Android device with the AOTG Android App.