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August 15, 2019, 8:05 am
New sci fi film “Quanta” was shot entirely on an URSA Mini Pro, while grading was done using DaVinci Resolve Studio. The film is one of the first globally distributed films by the new Melbourne based film production company and film collective Raygun, and will begin distribution in the United States and other countries in August.
August 21, 2018, 10:33 am
Blackmagic Design today announced that URSA Mini Pro and DaVinci Resolve Studio were used to create two exciting sports themed campaigns for Zurich Insurance, both directed, shot and post produced by Munich commercials team The Directors Duo.
March 19, 2018, 7:34 am
Blackmagic Design today announced that Colorist Rob Bessette from Boston-based Finish Post used DaVinci Resolve Studio and a DaVinci Resolve Advanced Panel to grade Progressive’s latest commercial titled, “My Year of Me.” The spot follows the Progressive Box as he recounts his recent travels around the globe.
February 28, 2018, 8:30 am
Blackmagic Design today announced that DaVinci Resolve Studio was used by Colorist Lauren Malis of Chicago-based The Colonie to grade and finish several national broadcast spots for retail giant Kmart. The creative editorial and post production house was tapped to deliver the seasonal spots throughout 2017, and while each spot is different in content, they all have a similar feel essential to the Kmart brand.
February 9, 2018, 7:10 am
Blackmagic Design today announced that "Half-Life" and "Maturity," two new television pilots to air in January on New York City (NYC) Media, were edited and graded using DaVinci Resolve 14. The NYC Mayor's Office of Media and Entertainment (MOME) and Brooklyn College's Feirstein Graduate School of Cinema chose the two shows for development over 300 other scripts to be broadcast to the more than 18 million households that receive NYC Media.
February 5, 2018, 3:37 pm
Blackmagic Design today announced that writer and director Hasraf ‘HaZ’ Dulull, has completed his first feature-length film, ‘The Beyond’, which was edited and graded in DaVinci Resolve 14. Furthermore, the sci-fi documentary film was shot exclusively with digital film cameras from Blackmagic Design, including the URSA Mini 4.6K and URSA Mini Pro.
Gordon sits down to discuss the VFX of The Lion King with VFX supervisor Rob Legato
In this bonus episode, Gordon sits down with Dan Deleeuw, the visual effects supervisor for Avengers: Endgame.
Gordon sits down with Jinmo Yang to discuss the editing of Parasite, the hit Korean film and a must see for everyone.
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