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June 12, 2018, 10:04 am
I take my jobs as editor and as a father very seriously, but it is also important to note that I am happy. Here are some things that I have learned over the years. I have made mistakes in every one of these rules, but I try every day to be better.
June 11, 2018, 3:41 pm
At a time when a few humorists are doing some of the most important journalistic work on TV (John Oliver and Bassem Youssef come to mind), Conan O’Brien decided, right then and there, to travel to Haiti in order to set the record straight. It wasn’t an unprecedented move—he’d previously done shows from Mexico, Israel, Armenia, and more. What was different was the time frame.
January 16, 2018, 6:45 pm
In episode 4 of my YouTube Series: Rob's Tech Reviews, I take a look at Monkeybars which is an script for After Effects available on AEScripts for making quick and automated text boxes for lower thirds.
July 21, 2017, 7:35 am
The Colonie, the Chicago-based editorial, visual effect, motion graphics shop, has announced the promotion of Jimmy Helm to editor. Helm, an innovative and adept talent, honed his craft working with The Colonie’s senior editors on a wide range of projects over the past seven-years. Most recently, Helm has been managing ongoing social media work with Facebook, Inc. and conceptualizing and editing short format advertisements.
September 27, 2016, 12:50 am
if you ever edited on Avid lately, you would have probably asked one question, why does Avid has no match for Premiere/FCPX in-app Audio based sync? Yes, you could in theory use Plural Eyes, but even that as a workflow is a bit off-putting. Entangle for Avid tries to solve this by allowing to select number of files in Avid, right click on them and select Synchronize from the context menu. It's as easy as that. Once you've done the synchronization, you just drag a resulting AAF file into Avid.
February 10, 2016, 2:48 pm
PluralEyes v4.0 audio/video syncing software for any Non-Linear Editor. Sync directly in Premiere Pro without leaving the host-app. More automation than ever before. Red Giant Offload integration with PluralEyes, and much more.
January 27, 2016, 11:16 am
There are countless ways to up your game: Webinars Subscription services Courses or online schools WHICH ARE THE RIGHT ONES FOR YOU? We break them all down for you here. Whichever way you'd prefer to learn more about the wizardry mysticism that is post-production, there's a way for you to do that from one of these options. Some are paid. Some are delightfully free. But they will all help you gain a level in your career.
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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