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September 27, 2016, 12:50 am
if you ever edited on Avid lately, you would have probably asked one question, why does Avid has no match for Premiere/FCPX in-app Audio based sync? Yes, you could in theory use Plural Eyes, but even that as a workflow is a bit off-putting. Entangle for Avid tries to solve this by allowing to select number of files in Avid, right click on them and select Synchronize from the context menu. It's as easy as that. Once you've done the synchronization, you just drag a resulting AAF file into Avid.
September 1, 2016, 10:01 am
We welcome editor Erik Swanson on the show, who recently completed work on his first feature length credit: Rise of the Sufferfests, a documentary that explores the rising trend of OCR (Obstacle Course Racing). You may have heard me talk about OCR occasionally as it's become an obsession of mine in the past year. If you've heard of Tough Mudder, Spartan races or anything similar then you've probably thought one of two things: 1) "That sounds like fun!" or 2) "Why do people actually do this??"
August 23, 2016, 8:19 am
This started as a Twitter discussion from a question Scott Simmons posed earlier. There were many different opinions shared and it's not a simple yes/no question. So we're here to discuss it further, what are your rights as a freelancer and how should you balance out the responsibilities of the job and your own health?
May 16, 2016, 12:16 pm
We are joined by Todd Wolfe from CheeseSteak Media and FroKnowsPhoto. The latter of which just released the FroKnowsPhoto Video Editing Guide. This 16GB guide is jam-packed with the knowledge needed for beginners to get started with the basics and plenty of advanced techniques for the veteran editors, as well. Also, an EXCLUSIVE gift for the Command+Edit listeners. Listen for a promo code to get 25% off of the FroKnowsPhoto Video Editing Guide.
May 9, 2016, 3:11 pm
Today's guest is Mark Hartzell (editor on True Blood, Agent Carter, Animal Kingdom) to talk about how he got into TV editing and what the differences are between TV editors and feature film editors. What it's like transitioning from show-to-show often How does the workflow differ between shows? How do you know when to say "No" to a script? ...and how do you do it politely and professionally so that bridges don't get burned? How to work your way onto one of the BIG shows like Agent Carter?
March 22, 2016, 3:32 pm
In this episode we talk about what it's like editing a feature with Davinci Resolve, once thought to only be a colour grading application. Until BlackMagic released version 12 with some NLE capabilities. It's not exactly the easiest transition in the world to change over to Resolve though... PLUS, we have a contest! Win a copy of Post Notes for Premiere Pro. Find out how.
March 14, 2016, 10:47 am
Rejection is inevitable, whether it be in sales, in creative decision-making, or any other part of the business. Failure is a part of the game. Rejection is universal. How does rejection reflect on you? What is the best way to react to a rejection? How do you deal with a "No"? Josh and Nick go into some tips on how to react to rejection and how it can actually benefit you in the long run.
Gordon sits down with Federico Brusilovsky to discuss the editing of commercials and rebuilding older brands. He cuts in LA f ...
With the release of FRONTLINE'S latest 360 project, "Night of the Storm", Kenzie Audette reveals the post prod ...
Gordon sits down with Nicholas Monsour to discuss the editing of Keanu. They talk about the films timing and how tone shifts ...
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