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December 19, 2012, 7:54 am
DP/30: Silver Linings Playbook, director David O. Russell, editor Jay Cassidy - Shot in Los Angeles, December 2012
December 19, 2012, 7:51 am
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 61: In this tutorial looking at getting your production out of After Effects, Andrew Devis shows how to create and use watch folders.
December 13, 2012, 11:11 pm
Speaking about the evolution of the story ... It is interesting the way you play with the viewer's expectations by breaking the logical evolution of personajes.D and A: We wanted to keep thin layers of background of the characters, so when you think you know a character that fits with a certain stereotype, reveal something about him that makes you see something different. The guy you were listed as a fool becomes more complicated than that: identifies himself as the guy who makes the tough...
December 12, 2012, 10:47 pm
At last, a diligent soul, one John Buck, has had the passion and taken the time to trace the track of editing from its manual scissors and glue past to its electronic mouse and keyboard present. An Australian editor, Buck writes up the recent fast track decades of technological advances as well as the build-up [...]
December 12, 2012, 2:06 pm
In this episode, Gordon interviews the team at B-Reel about Interactive projects and post. B-Reel is a hybrid production company, specialized in the field of advanced digital production for web, mobile, physical installations and other media.
December 12, 2012, 11:36 am
Editor Lee Smith and Assistant John Lee in Interview Christopher Nolan is undoubtably one of my favourite directors and his editing team – Editor Lee Smith and Assistant Editor John Lee – will no doubt play a huge part in...
December 12, 2012, 7:06 am
WELLINGTON, NZ — Warner Bros.’ The Hobbit: An Unexpected Journey is the first of three movies based on the J. R. R. Tolkien introductory novel to The Lord of the Rings saga that could very well transform the movie-going experience.
December 11, 2012, 3:29 pm
With five edit suites currently running at Biscardi Creative Media, and four more on standby, Walter Biscardi and crew need the best possible performance our of their workflow and machines. Here, Walter describes the power (yes, power) of the iMac, the workhorse Adobe Premiere Pro, and some never say never insight on FCP X.
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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