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December 11, 2012, 3:29 pm
With five edit suites currently running at Biscardi Creative Media, and four more on standby, Walter Biscardi and crew need the best possible performance our of their workflow and machines. Here, Walter describes the power (yes, power) of the iMac, the workhorse Adobe Premiere Pro, and some never say never insight on FCP X.
December 7, 2012, 7:49 am
As probably one of the oldest editing students in existence, (I'm a late bloomer. What can I say?) I am challenging myself to do and learn all I can in this field that has captured my heart and soul. For the past almost five years, I have been taking college filmmaking classes, starting with my first editing class on February 18, 2008.
December 6, 2012, 11:53 am
The first time I told some friends that I was working on a film about a man in an iron lung trying to lose his virginity, I got looks that were somewhere between incredulity and pity. I could tell they thought that watching it would be more like politically correct homework than a movie anyone would want to see. But Ben Lewin's script, The Sessions, was far from that. It was a compassionate, humorous story about a disabled man's journey to adulthood that was surprisingly universal.
December 5, 2012, 7:31 pm
Love or hate Flight, I don't think there will be many out there that didn't at the very least enjoy the first 30 minutes or so and weren't jolted to attention with the film's dramatic crash sequence. Today the New York Times is taking a closer look at the editing of the sequence, which includes the above image, which previews a look at what six minutes of the film looks like in the AVID editing system. Give the picture a click for a much larger and detailed version.
December 5, 2012, 7:34 am
In today's digital age of ftp, Drop box, "the cloud", why isn’t there more of a lure and desire from clients to work with an editor remotely? The big studios do it all the time with 3D specialists based all over the world and even render to remote locations.
December 5, 2012, 7:29 am
Pacing - To advance or develop (something) at a particular rate or tempo. That is the definition I pulled that is most appropriate. Pacing first and foremost should advance your story. How do you advance your story with pacing you ask? The pace of a story, or a section of the story tells the viewer...
December 4, 2012, 3:03 pm
Yeah, I'm still working on the first. However, I thought it was worth mentioning that I have my second feature lined up. It's a slasher comedy called The Ballad of Sadie Grace, directed by Joshua Hull. It’s currently in pre-production...
Celia Haining, editor of The Crown, joins Gordon Burkell to discuss editing for story.
The filmmakeru.com team explores the history of color in film in our series Birth of an Art. From coloring in single frames ...
Gordon sits down with Ivan Victor to discuss his work editing 68 Whiskey.
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