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January 17, 2013, 7:40 am
In the past, video editing has always been tied to a place, the edit bay. The Moviolas and Steenbecks of film were joined by linear tape editing suites. In the days of quad and C-format, these were large and very expensive. Non-linear editing, typified by Avid, transformed the process of editing video from a linear process to non-linear, much more like film editing. Even terms like “bins” were borrowed from film.
January 12, 2013, 11:31 am
Adorama Photography TV Presents DSLR | Video Skills with Rich Harrington. In earlier episodes Rich showed you some great gear to use and the best field work flow when shooting sync sound. Join Rich again in this episode as he shares the post-production process for the final edit in Adobe Premiere Pro.
January 11, 2013, 10:49 am
Editorial and VFX tricks to fix your Indie feature in post production Editor/Director Ken Simpson has put together an hour long look at the raw, unvarnished truth about fixing your indie feature film in post production. Ken walks through examples...
January 8, 2013, 3:40 pm
What could be better than free software? Well, a lot of things I guess, but I’ve never known anyone that would turn down an offer for free software (even when the legality of said free software is questionable). Some of you may have been following the news on the internet yesterday, but the Adobe site had been down for quite some time, so I’ve been waiting for the dust to settle a bit.
January 8, 2013, 3:37 pm
AbelCine has joined forces with DP Timur Civan and DIT Tom Wong to create a two day Red Epic & Scarlet workshop. This workshop gives attendees hands-on time with the latest Red cameras, and focuses on understanding camera operation, exposure techniques, and post production workflow.
January 8, 2013, 9:00 am
Colorflow (http://colorflow.com/), a full-service post-production company specializing in color grading for independent films, documentaries, long-form television and similar projects, has opened an all-new, state-of-the-art facility in the historic Saul Zaentz Media Center in Berkeley, California. The 7500-square foot facility features three color grading and finishing suites, and a DCI-compliant DI grading theater. Colorflow has recently...
January 7, 2013, 10:17 pm
AbelCine has joined forces with DP Timur Civan and DIT Tom Wong to create a two day Red Epic and Scarlet workshop. This workshop gives attendees hands-on time with the latest Red cameras, and focuses on understanding camera operation, exposure techniques, and post production workflow.
January 3, 2013, 2:44 pm
Editing has come a long way since the upright Moviola. Those of us who started cutting on film or tape know full well how computers revolutionized our industry. Nonlinear editing systems help us make decisions, experiment, and work faster than ever, but there's one revolution that's still waiting to happen.
January 3, 2013, 2:40 pm
The Final Cut Pro X 10.0.6 update introduced a new way of importing media. The old Import from Camera interface has grown to encompass all imports, so you’ll be able to see thumbnailed, scrubbable previews of all your DSLR footage. You can even import RED footage now — a huge boost for users of those cameras.
Gordon sits down with Evan Ahlgren and Gary Roach to discuss the editing of Paramount's Yellowstone.
Gordon Sits down with Rosanne Tan, Justin Krohn, and Franklin Peterson to discuss their editing of the show Homecoming.
Gordon and Azin Samari sit down to discuss the four-part documentary Lorena that recounts the Lorena and John Bobbit saga.
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