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Simon Walker presents Grading in Premiere Pro
VideoApril 5, 2012, 8:41 pm
Apple Certified Master Trainer and Adobe Certified Instructor Simon Walker www.simonwalkerfreelance.com has been migrating from grading in FCP7 and Color, to using the tools in Adobe's Production Premium to colour correct and grade footage. In this session he shares some of the processes he has found useful, how plug-ins help him work faster, and shows tips to get up to speed quickly in Premiere Pro.
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Out of the Cutting Room and onto the Web
ArticleApril 5, 2012, 8:40 pm
HOLLYWOOD—PostProductionPro.com, LLC, of Hollywood, announced today the start of a new social networking website, www.postproductionpro.com, geared to media professionals working in the post production space, a specialized part the worldwide entertainment industry.
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Editing John Carter
ArticleApril 5, 2012, 2:48 pm
Editor Eric Zumbrunnen, A.C.E., first became known for cutting music videos, like Spike Jonze's award-winning clip for Weezer's "Buddy Holly" and Bjork's "It's Oh So Quiet." He won the ACE Eddie Award and was BAFTA-nominated for Jonze's Being John Malkovich (1999), and continued to work with the iconoclastic director on Adaptation. (2003), for which he received a second Eddie nomination, as well as Where the Wild Things Are (2009).
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Using folder breaks to create folder hierarchies
BlogApril 5, 2012, 2:45 pm
Post Haste is a Mac and Windows app to organize your projects from customizable templates. You can setup various parameters to include in the folder name such as project name, client, date, etc.
Check it out at: http://www.digitalrebellion.com/blog/posts/using_folder_breaks_to_create_folder_hierarchies_in_post_haste.html
The Editors Guild in the TV Age
ArticleApril 5, 2012, 2:45 pm
The end of World War II ushered in the advent of regular television programming. It was not the overnight sensation that many would imagine. The DuMont Television Network launched what Newsweek called "the country's first permanent commercial television network" on August 15, 1946, connecting New York City with Washington, DC.
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Tips for Better Background Music
BlogApril 5, 2012, 2:41 pm
Deciding on the appropriate background music for videos can be as confusing as choosing between off-the-wall ice cream flavors. In this post we'll take a look at what you need to consider when picking royalty-free music.
Check it out at: http://www.premiumbeat.com/blog/better-background-music-for-videos/
NAB 2012: What to look for in 3D
ArticleApril 5, 2012, 2:40 pm
The upcoming 2012 NAB Show (www.nabshow.com) in Las Vegas (April 14-19, 2012) is shaping up to be at least the fifth consecutive NAB Show to significantly advance the closely-watched 3D content creation, distribution, and consumption sectors. Before enumerating several hot topics in 3D that the nearly 100,000 NAB Show registrants from more than 150 countries should be on the lookout for this year, a bit of history about 3D as it relates to NAB Show...
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What's Under the Hood
ArticleApril 5, 2012, 2:40 pm
For both mixing and workstation technologies at Technicolor's new post complex, Avid served as the primary hardware supplier. All eight theatrical stages are equipped with Euphonix Series 5 digital consoles with full EuCon connection to a series of companion Pro Tools HD digital audio workstations.
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CS5 increase/decrease A/V tracks
BlogApril 5, 2012, 2:38 pm
In Avid, I'd often save timeline views with audio tracks massively expanded for rough audio mixing, or the audio small and the video larger for cutting and applying effects. If I wanted to adjust the track size even more I could just hit Ctrl-L to enlarge any activated tracks, and Ctrl-K to make...
Check it out at: http://blogs.creativecow.net/blog/11365/premiere-pro-increasedecrease-video-and-audio-tracks-using-the-keyboard
THIS MONTH IN FILM HISTORY
ArticleApril 5, 2012, 2:36 pm
Because the shortsighted Hollywood film industry did not want anything to do with the new invention called television in the mid-1940s, the radio industry took over the burgeoning medium. New York became the dominant center for the first decade of TV, as the radio studios were located in Manhattan.
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