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September 21, 2018, 12:05 pm
The veteran animation director, along with DFX supervisor Aharon Bourland, will detail DNEG’s work on Marvel and Sony’s upcoming superhero-adventure film at next month’s Turin event.
September 21, 2018, 9:27 am
BOURNEMOUTH, UK — Visual effects supervisor Andrew Morley, known for his contributions to Avengers: Infinity War and
Fantastic Beasts and Where to Find Them, is set to join Outpost VFX as the studio’s head of VFX. He will work with all artists at Outpost VFX’s 80-seat facility in Bournemouth.
September 21, 2018, 9:27 am
Tony Gallardo and Juan Salvo Breakdown How to Create a Motion GRaphics Piece With a Hand Drawn Look in Fusion. Without looking too intently, you would be hardpressed to find motion graphics tools other than
September 21, 2018, 6:20 am
Ann Collins is a New York based documentary film editor. This year, she was nominated for an American Cinema Editor’s Eddie award for her work on Griffin Dunne’s "Joan Didion: The Center Will Not Hold" which premiered at the 2017 New York Film Festival. Prior to that, she co-produced and edited "Swim Team," an independent documentary which has won numerous awards and...
September 21, 2018, 6:20 am
Lavalier microphones are useful in a lot of situations when you’re in the field. Their small size makes it easy to fit them into tight spaces to record perspectives that you wouldn’t normally be able to listen to. You can get very close to small objects or even insects or birds and given that […]
September 21, 2018, 6:20 am
At IBC 2018, AJA debuted Kona 5, a new eight-lane PCIe 3.0 video and audio I/O card supporting 12G-SDI I/O and HDMI 2.0 monitoring/output for workstations or Thunderbolt 3-connected chassis. Kona 5 supports 4K/UltraHD and HD high frame rate, deep color and HDR workflows over one cable. For developers, AJA’s SDK offers support for Kona 5 multi-channel 12G-SDI I/O, Continue reading →
September 20, 2018
The post AJA Introduces Kona 5 with 12G-SDI I/O appeared first on Randi Altman's post...
September 21, 2018, 6:19 am
More likely than not, an Art of the Cut interview with Brent White, ACE, would probably be about editing comedy. His previous work includes, Ghostbusters, Spy, Anchorman (1 and 2), Step Brothers, Knocked Up, Talladega Nights and The 40 Year old Virgin, and before that, Desperate Housewives and Freaks and Geeks. It was his time at Freaks and Geeks that connected him with the cadre of the best and brightest directors in comedy.
September 21, 2018, 6:19 am
BOD is a freeware emulation of the highly rated Sansamp Bass Driver pedals. I've used these pedals live many times and they are one of those things which just work. There isn't a great deal to say about this as it is a simple stomp emulation but that isn't to say that this isn't a good plug-in, it's great! Try it and you'll see why this pedal is so popular with the bass playing community.
September 20, 2018, 2:05 pm
Blackmagic Design today announced that New Zealand’s Department of Post is using DaVinci Resolve 15 as part of their HDR and non-HDR work with a number of film, commercial and television productions. This included color correction, conform and VFX work for a number of different projects, including the popular TV show “Cul De Sac.”
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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