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April 1, 2010, 4:45 pm
Not sure what to code name the project I am working on. There are times when I can’t reveal the projects I am working on until I can announce an air date. I guess I can call this the "LONG BEACH" job, as that is where I am commuting to.
April 1, 2010, 4:45 pm
Occasionally media files go missing. This was a big issue that kept happening before I came on board. The company was running Avid Media Composer 2.7.7 and using the IMPORT P2 option. But on occasion media would just go offline, and they’d have to reimport.
March 31, 2010, 12:45 pm
The editors of Avatar, John Refoua and Steve Rivkin, have confirmed as this year's closing night panel! EditFest NY is June 11 -12, 2010 at the DGA Theater in New York City. Go to www.editfestny.com for more details.
March 31, 2010, 12:44 pm
In 1987 Bill Warner quit his job at Apollo Computer, Inc. and set up AVID Technology. Within a few short years filmmaking was changed forever. Bill Warner is the man who had the vision, he's the man who made this happen. In this, the second of a five part series, Bill shows an early prototype of the AVID workflow. This was the beginning of what was going to become the tool of choice for a generation of filmmakers.
March 30, 2010, 12:43 pm
Sony announced today that it will introduce a new open-platform product family, Media Backbone, which grew out of the company’s desire to address workflow issues created by the relentless uptick in 4K and 3D production and post.
March 29, 2010, 12:42 pm
If an editor - standing in for the viewer - is a movie’s eyes, are those the eyes of someone suffering from Attention Deficit Disorder? Since 1981 and the birth of MTV, filmmakers have been complaining, arguing, and embracing the effect of MTV on cutting. This week I’ll look at the pros and cons. Feel free to chime in!
March 29, 2010, 12:41 pm
The twenty-fourth episode of THE EDIT BAY is now available for download. Just when you thought a show was done...they PULL you back in! Creative notes given after the show was onlined and fully mixed.
March 29, 2010, 12:40 pm
Cue sheets are a fairly bread and butter part of an online editor's life. The last thing I do when I've completed an online job is to printout a copy of the show's cue sheet and place it in the box with the tape.
March 28, 2010, 12:39 pm
I’ve always been interested in understanding the technical side of post-production and the assistant editor job is becoming increasingly technical. It’s probably where I can make the biggest contributions on a project.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
Gordon Burkell sits down with Bill Turro to talk about the editing of GLOW on Netflix. This is the first in a three-part seri ...
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