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October 18, 2010, 1:07 pm
Bicoastal jumP is pleased to welcome versatile post artist Terence Ziegler to their NYC studio. A unique talent, Ziegler brings nearly two decades of high-profile experience to jumP, having previously spent the last four years at Company X, The Well prior, RhinoEdit, WNET and Invisible Dog before that. Ziegler is not only a very talented editor but also a heavy hitter in the 2D/3D and graphics world.
October 18, 2010, 9:48 am
One function that is available in Final Cut Pro but not well documented, is the ability to export footage/timelines with an alpha channel (ie with transparency). Countless times we've seen editors on Twitter or Creative Cow asking "What could I possibly be doing wrong...the background is just a solid black when it should be transparent?"
October 18, 2010, 9:42 am
Red is now Hollywood’s great science experiment, with workflow options proliferating almost every day. How do you do dailies? How do you transcode and sync? Who is archiving your media? We’re finally starting to get our arms around those issues, but there are still too many options. And the bigger question now is how you conform.
October 18, 2010, 9:40 am
Universal City, CA–In a joint venture, EFILM, a subsidiary of Deluxe Entertainment Services Group, and Universal Studios opened a Digital Intermediate suite on the Universal Studios lot, in proximity to the studio’s sound mixing stages, sound editorial rooms, picture editing suites and other sound services. Since both final sound mixing and the DI come at the end of the post production chain for feature films, having both services in physical proximity allows the director to walk from room...
October 17, 2010, 10:03 pm
Well you voted and here it is, the first Tej’s Tech Blog as voted by you. This week I take a look at Apple’s new LED Cinema Displays.
October 17, 2010, 9:11 am
While color correcting some 7D footage yesterday I noticed that the gamma levels on the original H.264 and the converted ProRes(HQ) files were different. The ProRes having considerably darker black levels. The clips were converted to ProRes though Magic Bullet Grinder (thank you Stu) and MPEGStreamclip. The converted files appear darker and the blacks levels look more crunched than the orig H.264 clip.
October 16, 2010, 8:28 pm
The Vegas Pro 10 collection integrates two powerful applications that work seamlessly together to provide an efficient and intuitive environment for video and broadcast professionals. This comprehensive suite offers the most robust and progressive platform available for content creation and production. With broad format support, superior effects processing, unparalleled audio support, and a full complement of editorial tools, the Vegas Pro 10 collection streamlines your workflow.
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
Bill Curso is a makeup artist with thirty plus years under his belt, he’s got three Oscar nominations with one win, fiv ...
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