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June 6, 2009, 1:50 pm
David Rennke has been an editor for more than 20 years and has used every editing system imaginable—but always finds himself gravitating back to Avid. On his latest project, editing King Hollis’ independent film Pearl, Rennke used Avid Media Composer 3.0.5. He edited most of Pearl’s dailies on his laptop, on set, which made the process convenient and efficient. For finishing, he used Avid DS v.10 with DNxHD 220x. This allowed everything to work seamlessly and without any crashes—something...
June 3, 2009, 1:49 pm
This was sent to me by a reader of Scott Simmons Blog with the request that I post it for everyone to see. A very interesting look into editing, this short documentary was made by an editor for the BBC. The editor is Bill McKenna and he was recently made Editor of the Year.
June 2, 2009, 1:48 pm
Recently, I worked on a show where the budget allowed me to stay on as the stage editor. The mixer on the show occasionally used a de-click/de-crackle program during pre-dubs. I knew about a few of these plug-ins, but seeing one in action piqued my interest to find out just how much they can do.
June 1, 2009, 1:47 pm
PCI attachment (based on the PCIe architecture) provides maximum bandwidth at minimum cost per storage unit by eliminating the secondary bus bridges required for all other connection methods. Since the host server already has a PCI (peripheral connection interconnect) bridge included to provide communications between the frontside (system) bus and its attached CPU(s), connecting storage systems directly to that creates the closest, widest-bandwidth interface possible — giving way to wide...
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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