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March 14, 2011, 9:38 am
I changed over those ... years. (Really think I am going to put that out there? Seriously?!) Sometimes for the better, sometimes for the worse, but I like to think of myself as a work-in-progress and it probably wouldn’t hurt to think of Avid the same way.
March 14, 2011, 9:36 am
Extruding 3D text and shapes can be done in a number of different ways in After Effects using either native tools or 3rd party plug-ins. In this first tutorial, Andrew Devis shows how to use the duplication method which uses numerous layers of the same item to create the illusion of depth. Andrew shows the simple expression to use to make the job quick and easy as well as showing how to change the source layer to animate shapes.
March 14, 2011, 7:40 am
Red Giant was gracious enough to allow me to test-drive Colorista II. Building and improving on the original in every way, Colorista II is ac color grading plug-in for Final Cut Pro users. Colorista II also supports Adobe After Effects and Premier.
March 14, 2011, 7:09 am
By the time Sergei Eisenstein completed Ivan Groznyy (Ivan the Terrible Part I) in 1944, the widespread experimentalism that had characterised the Soviet arts of the 1920s was a distant, long-suppressed memory. The Soviet Union of the 1920s represented a rare historical instance in which a state openly supported avant-garde art as a force for socio-political change, having fostered futurist and constructivist movements that dexterously combined anarchist sentiment with the pressing Bolshevik...
March 14, 2011, 7:08 am
Here we are a couple of weeks past what is just slightly more than a rumor about the next version of Apple’s Final Cut Pro. Let’s call it FCPx as someone on Twitter stated and not FCP Awesome as was tweeted by another. I like FCPx for the mindless speculation. There has been more digital ink spilled over so little information concerning FCPx than pretty much anything besides the next great Canon DSLR or Obamacare. I’m about to add a bit more.
March 14, 2011, 7:06 am
In 1926, the October Revolution Jubilee Committee pulled Sergei Eisenstein, Grigorii Aleksandrov, and cameraman Eduard Tisse away from Generalnaia Liniia (The General Line, eventually completed in 1929) to begin work on a new film. Commissioned along with Vsevolod Pudovkin’s Konets Sankt-Peterburga (The End of St. Petersburg, 1927), Boris Barnet’s Moskva v Oktiabre (Moscow in October, 1927), and Esfir Shub’s Velikii put (The Great Way, 1927), Oktyabr (October) was slated to premiere at the...
March 14, 2011, 7:04 am
Aleksandr Nevskiy (Alexander Nevsky) is not central to Eisenstein’s theory of montage and is not considered to be one of his most important works, at least critically. Yet the film exhibits a powerful folkloric spirit in its single-minded, patriotic call to unity in resisting German invasion. Alexander Nevsky is widely celebrated for its astounding 30-minute "Battle on the Ice" sequence that influenced a generation of filmmakers in constructing historical battles.
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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