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February 4, 2010, 8:35 am
Spent most of the afternoon trying to chase down a Final Cut Studio bug. Today’s task was to generate an audio-only OMF version of my movie for the sound editor. I wanted to check the OMF included the handles and keyframes that I had specified. As Soundtrack can import OMFs, I tried that.
February 4, 2010, 8:34 am
Avid MetaFuze is a tool from Avid Technology that converts various video formats (most notably DPX and RED RAW) into native DNxHD media that can be used with Avid’s editing products. The product ships with two interfaces – a GUI for direct transcoding, and a command-line version more suitable for scripting.
February 3, 2010, 8:33 am
Writer-director-editor West (whose next project is actually Cabin Fever 2: Spring Fever, the sequel to Roth’s debut) pays meticulous attention to every detail of the film—from the dialogue and clothing to the lighting and camerawork—to seamlessly transport his audience back a few decades and make The House of the Devil feel like a film shot during the golden age of horror and only recently rediscovered.
February 3, 2010, 8:32 am
The Editors Guild congratulates all the Oscar nominees in the post-production categories. Now the race is on! Following are the 2009 awards and nominations. This list will be updated as additional post-production nominations and awards are announced.
February 2, 2010, 8:32 am
James Herbert is director Guy Ritchie’s go-to editor. The two have worked together on, among other things, the films Revolver, RocknRolla and now Sherlock Holmes. Over the years they have developed a sort of shorthand that helps keep the process a pleasant and productive one.
February 2, 2010, 8:31 am
Thelma Schoonmaker has been director Martin Scorsese's editor of choice ever since their shared career-defining turn on Raging Bull. With a collaboration spanning almost four decades, Schoonmaker recently won her second Academy Award and has been nominated for three others in the past. She took time off from her work on the upcoming crime drama The Departed to rewind with us.
February 1, 2010, 8:30 am
With the 2010 FCPUG San Francisco SuperMeet about to happen, February 5, at the UCSF Mission Bay Conference Center in San Francisco, we take a look at some memorable moment from previous SuperMeets, spectacular demos, and inspiring moments.
January 31, 2010, 8:27 am
Showcasing films at the Sundance Film Festival is becoming par for the course for veteran editor Brian Kates. In his eighth trip to Park City for the 2010 fest, Kates saw his latest project Jack Goes Boating—a film from first-time director and Academy Award-winning actor Philip Seymour Hoffman—get its world premiere.
January 30, 2010, 8:27 am
Most of us have contradictory attitude toward trailers. Trailers are a bonus - we get to see a part of another film - for the price of seeing the movie we just paid for. They help us get in the mood for the feature. We can use them to reject a movie and save ourselves time and money. They can also be refreshers, helping us relive and remember a movie.
Gordon sits down with Marcus Schioler, Antoine Rotondo, & Marc-André Ferguson to discuss the big announcement at A ...
Gordon sits down with Joe Walker to discuss Steve McQueen's new film Widows.
Gordon sits down with Barry Brown to discuss his work on editing BLACKkKLANSMAN, Spike Lee's latest film.
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