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February 16, 2011, 7:49 pm
Sorenson Media announced a new partnership with Kulabyte, an industry leader in live HD and mobile video streaming, to bring the new Squeeze Live cloud encoding platform to market. Currently in beta, the new solution, which was announced today from World Mobile Congress in Barcelona, Spain, enables high-volume live video encoding for distribution to any mobile device or computer.
February 16, 2011, 7:48 pm
Announcing that KPL Studios, the developers of iTC Calc for iPhone and iPod touch has released a version for iPad users. This application is new to iPad but offers the same great features for post-production work that iPhone and iPod touch users have been enjoying for some time. iTC Calc’s intuitive interface is very easy to use and provides everything from timecode-frame conversions to offset, duration and total running time calculations. To celebrate the new iPad launch, KPL Studios is...
February 16, 2011, 12:58 pm
Kool-Aid! Get your Kool-Aid here! Avid has unveiled the latest update to their editing suite family: Media Composer & Symphony 5.5, as well as DS 5.5. Below are some of the biggest features to the Media Composer and Symphony 5.5 releases.
February 16, 2011, 12:57 pm
February 16, 2011, 11:52 am
This Reader Quicktip comes from Josh Petok. If you’re an Avid Media Composer editor then you know you can load a sequence into the Source monitor and edit that into another timeline (which you can do in Final Cut Pro too but this is an Avid tip). If you’ve ever noticed the totally mixed up video and audio patches that happen after that then read on for an easy fix.
February 16, 2011, 9:20 am
Lauren and I get to meet a lot of interesting people in our day to day life. Many outside the film editing world that play an important role in other communities. Lauren's render files has the two of us interviewing people in the film industry and discussing emails, tweets and messages from our listeners.
February 16, 2011, 8:54 am
"With all the options in workflow today, it seems no two projects are exactly alike. Just like snowflakes, our projects begin beautiful, shiny, and a unique wonder to behold. But as they slowly drift to their final destination, they seem to just turn into slush, as we leave them behind searching for our next wonderful, pristine, new way."
February 16, 2011, 8:49 am
Today Avid Technology issued a press release outlining the changes and new features in their latest version of the Media Composer software, Avid Media Composer 5.5. Among the new features is one that particularly excites me...and it has been very difficult to keep quiet about this (I’m on the Avid Beta, so I’ve been playing with this for a while). Media Composer 5.5 now works with AJA hardware, specifically, the AJA IO Express. What is major about this announcement...
February 16, 2011, 8:41 am
As we mentioned earlier, we’re creating a video training series based on our popular beginner’s book After Effects Apprentice, which progresses from "I haven’t used it before" through core skills including keyframing, masking, text animation, and 3D space to advanced techniques such as motion tracking, green screen, and expressions. The second course is based on the Basic Animation section of the book...
February 15, 2011, 8:14 pm
Miraizon, a San Jose-based digital media software company, announced the immediate availability of its new product, Cinematize 3 Pro for Macintosh. Built on top of its highly regarded predecessor, Cinematize 2 Pro, Cinematize 3 Pro is a DVD clip extractor and converter that produces professional results. It allows users to extract audio and video clips off of DVDs and convert them into popular formats including QuickTime, iMovie, Final Cut, iDVD, DVD Studio Pro, Keynote, PowerPoint, iTunes, iPod
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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