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November 17, 2009, 4:07 am
Apparently I missed posting this, but the sixteenth episode of THE EDIT BAY is now available for download, and has been for a couple weeks. This one is about "rock and rolling" a cut about....Jesus.
November 16, 2009, 4:04 am
CULVER CITY - Editor Peter S. Elliot and assistant editor Rob Molina were part of the team that cut Roland Emmerich’s new apocalyptic feature 2012. The film stars John Cusack, Amanda Peet, Danny Glover and Chiwetel Ejiofor, and was shot digitally using the Genesis camera, though 35mm was used for some underwater sequences. Post recently had a chance to chat with members of the editorial team regarding their work on the 2 hour and 35 minute film, which is loaded with visual effects, many...
November 16, 2009, 4:04 am
Automatic Duck provides solutions for video editors needing to move between applications. To understand what they offer we need to step back in history. When Final Cut Pro appeared on the video scene in 1999 the professional world was entrenched with AVID. TO move an AVID project to Final Cut Pro or from Final Cut Pro to AVID was not a simple process.
November 16, 2009, 4:03 am
In this demo recorded at the FCPUG NAB SuperMeet, Jason's charismatic style comes though as he shows off key technologies with Adobe's CS4 suite of applications. See how simple it is to bring a Final Cut Pro project into Adobe Premiere Pro, to then work with this content in After Effects and to author Blu-ray discs using Adobe Encore. Jason also shows how to make use of the Speech Transcription technology whilst editing.
November 13, 2009, 4:00 am
Since she discovered her passion for post-production while studying film at the University of California Santa Barbara, there was nothing up in the air about the career choice of Dana Glauberman, A.C.E. Originally interested in photography, she took a production class that had her doing everything from writing to directing and producing. It was that class––and cutting her Super-8 short film––that opened her eyes to the joys and wonders of editing.
November 13, 2009, 3:59 am
To hear Stuart Bass, A.C.E., talk about television editing, one might think he has an insouciant attitude towards his craft. "Editing comedy is a specific talent...it’s just difficult to say what that talent is," he says glibly. According to his website, www.filmbutcher.com, he has written or has been a contributor to such books as How to Get Ahead in Hollywood Without Any Talent and Make Sure the Below-the-Line People Stay There...
Gordon sits down with Marcus Schioler, Antoine Rotondo, & Marc-André Ferguson to discuss the big announcement at A ...
Gordon sits down with Joe Walker to discuss Steve McQueen's new film Widows.
Gordon sits down with Barry Brown to discuss his work on editing BLACKkKLANSMAN, Spike Lee's latest film.
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