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July 16, 2014, 9:10 am
If you are faithful user of a single video editing application, it is a good idea to keep up with improvements that other NLEs have made. Then you know when it is worth giving them another try. In an ideal world features on one system might appear on others, but influence of each company on the other is unlike normal competitive markets. I'll use Final Cut Pro X terms in some cases (for example Premiere 'sequences' are Final Cut 'projects'). Avid Media Composer v7.0 - June 2013 Dy...
July 16, 2014, 9:09 am
As I mentioned in a previous blog post, they say you can bring Mohammed to the mountain or you can bring the mountain to Mohammed. We have a team that is showcasing the design process on the road. Autodesk is... (...)
July 16, 2014, 3:46 am
Date: July 29, 2014 Time: 11:30 AM PDT Michael will discuss considerations in dailies delivery for Avid Media Composer, covering metadata and codec selection, the fundamentals in meeting the different requirements requested by production companies, as well as double system audio workflows. Project Settings. Source and Metadata Logging. Syncing Dailies in Media Composer. AAF/ALE export with or without Color Management. Import and Process in Media Composer. CLICK HERE TO REGISTER NOW!
July 16, 2014, 3:45 am
The Summer so far has been slightly quiet for FCPX news if you discount the 10.1.2 update, so an ideal time for a tutorial roundup. Lots of tips for Motion and Final Cut Pro X and one NSFW tutorial that had us laughing.
July 16, 2014, 3:44 am
On June 18 a new version of Adobe After Effects, After Effects CC 2014, has been released on the Adobe Creative Cloud. Since it is a new version rather than a minor upgrade, you have to install it as a separate application from the Creative Cloud desktop app.
When we discuss editing style we generally end up having one of two conversations. Either we talk about the very very old, th ...
The first day of NAB has wrapped and here's all the announcement highlights in a video that is less than 5 min.
There are so many types of comedies – slapstick, screwball, romantic, satirical, dark – but only one way to do it ...
What do you do to unwind at the end of a long day in the cutting room?
What drives you nuts that you wish people on set would stop doing?
There are films we all recognize to have great sound but what ones have you seen that needs more recognition and why?
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