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October 17, 2017, 12:40 pm
New Senior Colorist will lead the facility’s effort to extend it footprint in finishing for independent film and television series. LOS ANGELES—Veteran colorist Michael Smollin has joined Fancy Film, the independent post-production facility based in Los Angeles’ Silver Lake neighborhood. Smollin, whose credits span features, episodics, reality series and documentaries, will serve as the facility’s ...
October 16, 2017, 8:08 am
Blackmagic Design today announced that its Cintel Scanner and DaVinci Resolve Studio are being used by Paul Gerrish, of Cypress Gardens Treasure, to scan close to 6,000 reels of 16mm and 35mm film from the 1930s through to the 1980s.
October 12, 2017, 12:22 pm
Color grading can take forever. You spend hours tweaking and adjusting colors and your footage still looks ‘average.’ I want to give you five LUTs to save you time and effort. You can download them free here: PS - these LUTs aren’t a substitute for getting good footage.
October 11, 2017, 11:56 am
Full-service creative studio Carbon has added colorist Aubrey Woodiwiss as senior colorist/director of color grading to their LA roster. He comes to Carbon with a portfolio that includes spots for Dulux, NBA 2K17, Coors and Honda, and music videos for Beyonce’s Formation, Continue reading → October 11, 2017 The post Aubrey Woodiwiss joins Carbon LA as lead colorist appeared first on Randi Altman's postPerspective.
October 11, 2017, 7:30 am
Blackmagic Design today announced that Kei Ikeda, one of Japan’s leading music video DP, videographer and screenwriter, and also the founder of production company ISAI, used Blackmagic URSA Mini Pro 4.6K to shoot a number of music videos. He has used the URSA Mini Pro 4.6K to shot videos for some of Japan’s leading musical acts, including popular artists such as KOTORI and Hysteric Panic.
October 10, 2017, 8:53 am
Cineo Lighting, a leader in the production of lighting systems for the motion picture, television and broadcast industries, will showcase the Standard 410 (S410) at NAB NY 2017 (Booth N771).
October 8, 2017, 6:58 am
Having color graded countless films over the years in collaboration with other filmmakers, I’ve encountered my share of creative and technical challenges along the way. Of all of them, by far the biggest hurdle to overcome was attempting to re-build color contrast in a scene that simply didn’t have any to begin with.
October 5, 2017, 11:42 am
Cineo Lighting, a leader in the production of lighting systems for the motion picture, television and broadcast industries, will showcase its new Standard 410 (S410) along with several of its innovative lighting solutions for the house of worship market at WFX 2017.
Gordon sits down with Lee Percy to discuss editing The Mountain Between Us.
Lisa and Gordon discuss her career and approach to editing. ACE will have Lisa as part of their panels at the upcoming Edit ...
Sebastián Sepúlveda joins Gordon to discuss the editing of the film Jackie. They explore how structuring a real ...
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