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April 28, 2017, 11:31 am
Maya’s MASH has a Color node that can customize the display of a MASH network’s Color Per Vertex information in the viewport. Being that the color node uses CVP data, it might not be obvious The Post How To Hook Up V-Ray to MASH’s Color Node originally appeared and published on %%BLOGLINK%,by lesterbanks
April 27, 2017, 7:15 am
Blackmagic Design has announced the biggest release of DaVinci Resolve 14 at this year’s NAB Show, which wraps up proceedings today in Las Vegas, Nevada.
April 24, 2017, 12:15 pm
New features include up to 10 times performance increase, Fairlight audio built into DaVinci Resolve, and multi user collaboration tools that let multiple people edit, color and mix audio from multiple systems, all in the same project at the same time. Biggest news to me, is that the price is a startlingly low $299. At that point it is hard to argue against a purchase.
April 21, 2017, 5:03 pm
FilmLight is at NAB demo-ing Version 5.0 of its color tools. The upgraded toolkit maintains a consistent user experience across the Baselight color grading and finishing system, Baselight Editions, Daylight and FilmLight’s new on-set application, Prelight. “We are delivering 5.0 everywhere, bringing a new level of color control and creative possibilities from the very start of a production right to the final deliverables,” says Wolfgang Lempp, Continue reading → April 21, 2017 The...
April 20, 2017, 10:35 am
HERNDON, VA — Mixing Light (MixingLight.com) has completely redesigned its training and educational Website, which features courses on color correction for moving images. The Mixing Light 2.0 site launched on April 10th and features enhancements that are designed to make learning color grading easier than ever.
April 20, 2017, 9:43 am
Blackmagic Design today announced the Japan Institute of the Moving Image has installed and is using Blackmagic Cintel Film Scanner for archiving student films that have been shot at the college over the past four decades.
April 20, 2017, 5:46 am
Adobe updated its Creative Suite applications today with a workflow built around the new Essential Graphics panel in After Effects and Premiere Pro. In After Effects, the Essential Graphics panel allows users to put the most important elements of a composition in one place, where they will be easier to update. Using a new Motion […] The post Adobe Adds New Essential Graphics Workflow to After Effects and Premiere appeared first on Studio Daily.
In this episode of The Cutting Room, we explain just where we have been for the past four months. We'll begin regularly ...
Joe Walker joins Gordon to discuss the editing of Denis Villeneuve's film Arrival. They focus on Time and manipulating t ...
Gordon sits down with Steven Rosenblum to discuss the editing of Birth of a Nation. They talk about lack of footage and how t ...
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