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May 29, 2020, 1:06 pm
Michael Mann is the kind of director who holds complete films in his head before he begins making them. He is a rare breed of an auteur who has everything to do with everything. In the scope of his filmography, his producing and screenwriting are no less significant than his directing. He ceaselessly communicates the blueprint he envisions for each department — hyper-specific costuming, makeup, background direction, prop placement, blocking, lighting, shooting, production design, et al.
May 26, 2020, 2:21 pm
In the first Color Clinic your host Kevin Shaw discusses affordable displays, expensive displays, calibration and workflow with panelists from ASUS, FSI, Dolby, and Indigo Engineering. Questions range from absolute beginner to specific technical questions for more advanced users.
May 26, 2020, 2:21 pm
Warren discusses setting up your room for color correction, and why you shouldn’t turn down a project because you don’t have experience with a surface. All Warren’s online classes are available at fxphd.com/resolve16/
May 26, 2020, 2:20 pm
Colorist Warren Eagles warreneagles.com.au talks about his new Resolve 15 fxphd.com/resolve Color Correction training classes. Warren is the co-founder of the International Colorist Academy and has been using Resolve and conducting Resolve classes since 2005...
May 23, 2020, 3:21 pm
Editors often shy away from final color correction. However, the budget on many projects doesn’t include room for a dedicated colorist. Maybe it’s time you learned the right way to perform a grading session, instead of just playing with sliders and color wheels. Moviola.com’s color correction course will get you up to speed in just [...]Read More...
May 22, 2020, 2:57 pm
Blackmagic Design today announced Jasmine Ash’s music video for her new single “Same Sun” was shot by Brendan Walter using Pocket Cinema Camera 6K. Walter also used the Blackmagic RAW codec and DaVinci Resolve for color correction on the video, which allowed him to be able to capture a whole neighborhood of people in their homes while shooting in natural light through their windows.
May 22, 2020, 1:21 pm
This Friday, May 22, 2020 Colorist Eric Whipp ("Mad Max Fury Road"), will be talking about his technique, experiences and most importantly answering your questions!FREE EVENT - Live at 2 PM EST | 11 AM PSTSign up for your reminder here:https://www.facebook.com/FilmmakerU/posts/248219929856707
May 19, 2020, 12:32 pm
Before principal photography began on the Disney+ period drama Togo, the film’s director and cinematographer, Ericson Core, asked Company 3 senior colorist Siggy Ferstl to help design a visual approach for the color grade that would give the 1920s-era drama a unique look. Based on a true story, Togo is named for the lead sled dog on Leonhard Seppala’s (Willem Dafoe) team and tells the story of their life-and-death relay through Alaska’s tundra to deliver diphtheria antitoxin to the des...
Celia Haining, editor of The Crown, joins Gordon Burkell to discuss editing for story.
The filmmakeru.com team explores the history of color in film in our series Birth of an Art. From coloring in single frames ...
Gordon sits down with Ivan Victor to discuss his work editing 68 Whiskey.
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