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March 19, 2018, 12:17 pm
NAME: Bob Festa COMPANY: Encore CAN YOU DESCRIBE YOUR COMPANY? Situated in sunny Hollywood, Encore Hollywood offers file-based post services, including HDR Dolby V ision mastering, 4K workflows, near-set dailies and visual effects. AS A COLORIST, Continue reading → March 19, 2018 The post Behind the Title: Encore Senior Colorist Bob Festa appeared first on Randi Altman's postPerspective.
March 19, 2018, 7:34 am
Blackmagic Design today announced that Colorist Rob Bessette from Boston-based Finish Post used DaVinci Resolve Studio and a DaVinci Resolve Advanced Panel to grade Progressive’s latest commercial titled, “My Year of Me.” The spot follows the Progressive Box as he recounts his recent travels around the globe.
March 18, 2018, 7:23 am
In this presentation at The L.A. Creative Pro User Group, Jason gave a brief introduction into the expansive world of LUTs (or Look-Up Tables) as used in film post production. He gave us a quick look at what they are, common misconceptions, how they are typically used, and most importantly, how we can use them as flexible creative tools inside Blackmagic DaVinci Resolve. Hosted by Michael Horton.
March 17, 2018, 6:13 am
David Hussey talks about how he started in the industry, his workflow, and his work on the new film Red Sparrow.
March 16, 2018, 4:32 am
SGO has released a new version of Mistika VR, the fastest stitching software on the market, which brings more than
March 13, 2018, 6:18 am
Grouping instruments in Pro Tools brings along a great deal of control and functional commonality. But when recording, sometimes all you need is to recall a selection of tracks without grouping faders, mutes, and other functions. In this free video tutorial, we will show you how to quickly jump between groups of unrelated tracks and put them into Record Ready, Solo, Input, or Mute when tracking and overdubbing.
March 7, 2018, 1:19 pm
Colour, more than any other element of a designer's work, has the greatest influence on how viewers feel. Understanding colour theory, its cultural symbolism and the relationship between colours is necessary to becoming a better artist and designer.
March 1, 2018, 1:14 pm
Last month, Blackmagic held its first Expo, and one of its keynote speakers was Fotokem colorist Walter Volpatto. We were lucky enough to get some quality time with Volpatto, asking him about his recent high-profile color work on Star Wars: The Last Jedi, how he got started as a colorist and more. Continue reading → March 1, 2018 The post Video: Fotokem DI colorist Walter Volpatto on The Last Jedi and color appeared first on Randi Altman's postPerspective.
February 28, 2018, 8:30 am
Blackmagic Design today announced that DaVinci Resolve Studio was used by Colorist Lauren Malis of Chicago-based The Colonie to grade and finish several national broadcast spots for retail giant Kmart. The creative editorial and post production house was tapped to deliver the seasonal spots throughout 2017, and while each spot is different in content, they all have a similar feel essential to the Kmart brand.
Gordon Burkell sits down with Nathan Robitaille and Nelson Ferreira to discuss the sound design of The Shape of Water, for wh ...
Gordon Burkell sits down to talk to Bruno Verdoni, who plays Pat in Molly's Game, about acting, working with Aaron Sorki ...
Gordon sits down with Alan Baumgarten and Josh Schaeffer to discuss their Eddie nominated work on the film Molly's Game.
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