Be a part of a unique online community that connects post production professionals and film academics worldwide.
You'll have access to personalize your news feed, access to Live Post Talks and much more. Contribute to the community by posting interesting post production content.
October 17, 2017, 12:40 pm
New Senior Colorist will lead the facility’s effort to extend it footprint in finishing for independent film and television series. LOS ANGELES—Veteran colorist Michael Smollin has joined Fancy Film, the independent post-production facility based in Los Angeles’ Silver Lake neighborhood. Smollin, whose credits span features, episodics, reality series and documentaries, will serve as the facility’s ...
October 17, 2017, 12:39 pm
Does it lie in the carefully executed plans of a film’s cast and crew? Or does the magic rest upon fortuitous mistakes, spontaneity and improvisation? What steps must be taken to convey your vision and intent? Watch our video series, Frame of Mind, to get answers to these questions and more from commentators working in a wide variety of areas in production who’ll guide you through clips from their films, in their own words. Moviemakers and film fans: Grab your notepads, popcorn, or both, and press play.
October 17, 2017, 12:39 pm
Spider-Man: Homecoming star Tom Holland trained tirelessly to do as many of his own stunts as possible, but some of them were just too epic to do live. In stepped the team at Imageworks VFX, who just released an incredible video giving us a glimpse at the film’s incredible CGI.
October 17, 2017, 10:23 am
The Chaos Group Looks at the Power Gained in Compositing by Using the Output From V-Ray Maya Cryptomatte Render Element The Chaos Group posts a look at using Cryptomatte in a compositing workflow, making it The Post Compositing With Cryptomatte in Nuke and Fusion originally appeared and published on %%BLOGLINK%,by lesterbanks
October 17, 2017, 10:22 am
Invisible vs. high-profile editing I started in the cutting room at an exciting time for editing. The high-octane style popularised by music videos shown on MTV and made possible by editing on computer rather than on celluloid, was starting to filter through to feature films. In some cases it led to the sort of … Continue reading →
October 17, 2017, 9:20 am
In more than 20 years, Kendrick Wallace has produced the effects of many projects such as MAX PAYNE, THE A-TEAM, ABRAHAM LINCOLN: VAMPIRE HUNTER or INTO THE WOODS. He talks to us today about his work on IT.
October 17, 2017, 9:19 am
As the freelance economy grows, its denizens want to revise popular understanding about the work they do. Or as Upwork CEO Stephane Kasriel puts it, “There is a feeling that freelancing is about driving Uber cars, and it’s not.”
October 17, 2017, 4:47 am
CHICAGO — NoiseFloor Ltd. (noise-floor.com) recently completed post sound services for Let’s Play Two, a new film that highlights Pearl Jam’s live performances at Wrigley Field on August 20th and August 22nd of 2016. The hometown Chicago Cubs had a thrilling season last year, ultimately winning their long elusive World Series championship.
Gordon sits down with Lee Percy to discuss editing The Mountain Between Us.
Lisa and Gordon discuss her career and approach to editing. ACE will have Lisa as part of their panels at the upcoming Edit ...
Sebastián Sepúlveda joins Gordon to discuss the editing of the film Jackie. They explore how structuring a real ...
Choose what Post News gets sent directly to your E-Mail, daily or weekly.
Get your post news on your favourite Apple device, when you want it where you want it.
Get your post news on your favourite Android device with the AOTG Android App.