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June 9, 2012, 8:25 am
Avid recently announced their support of the Sundance Institute's annual June Directors Lab, taking place now in Utah. The Directors Lab offers a select group of projects and participants the opportunity to work with an accomplished group of creative advisors, professional actors and production crews to shoot and edit key scenes from their screenplays. Avid technology is...
November 8, 2017, 2:53 pm
Red Giant continues to push further and innovate with new set of toolset which includes 76 transitions and effects. In addition to this Red Giant has also updated 2 existing plugins and support for Avid Media Composer. A wonderful addition to Avid editors everywhere. The latest update features tools with GPU-accelerated plugins. These include Retrograde […] The post Red Giant Universe 2.2 appeared first on Tej Babra.
October 6, 2016, 9:24 am
Last week we began to look at Red Giant Universe 2.0, and cover some of the new updates and features. Before we trek further into Universe 2.0, feel free to go back and check out Part 1 of the review. Logo Motion Red Giant has added another great tool to Universe 2.0 known as Logo […] The post Red Giant Universe 2.0 Review Part 2 appeared first on Tej Babra.
September 29, 2016, 9:10 am
Red Giant, one of leaders in post production software tools, has recently updated one of their biggest set of tools. Red Giant Universe is an incredible package for both editors and visual effects designers. Before I jump into Red Giant Universe 2.0, If you have not had the opportunity to read the review on Red […] The post Red Giant Universe 2.0 Review Part 1 appeared first on Tej Babra.
April 11, 2016, 9:29 am
Red Giant is well known for various software tools for filmmakers. Not too long ago, I had an opportunity to review Red Giant Shooter Suite 12.5. Red Giant has recently updated the suite to version 13. This includes a big update to PluralEyes. If you have not had the chance, or simply wish to get […] The post Red Giant Shooter Suite 13 Review appeared first on Tej Babra.
February 2, 2016, 10:22 am
The last 2 posts we have been taking a look at Red Giant’s Trapcode Suite. Before We go further, If you would like to go back and catch up on the first two parts of this review, you can do so now. ( Part 1, Part2 ). If you have already read the first 2 […] The post Red Giant Trapcode Suite Review Part 3 appeared first on Tej Babra.
January 27, 2016, 10:23 am
Last week, we began reviewing the Trapcode Suite 13 from Red Giant. Today we continue on with our journey within the Trapcode Suite. If you missed part one you can go back here to catch up. (Trapcode Suite Part 1). TrapCode MIR 2.0 Trapcode MIR 2.0 works within After Effects, to give you the tools to […] The post Red Giant Trapcode Suite Review Part 2 appeared first on Tej Babra.
January 22, 2016, 1:34 pm
Red Giant has long produced tools thats have become intricate part of my edit suite. I have come to rely on many of Red Giant’s features and tools within my workflow. In the past, I have also reviewed many of these tools, such as the Magic Bullet Suite, and the Shooter Suite. Both are excellent […] The post Red Giant Trapcode Suite 13 Review Part 1 appeared first on Tej Babra.
March 10, 2015, 9:50 am
Avid and Adobe long time competitors in the post produc […] The post Avid and Adobe Collaborate on Integration with Shared Storage appeared first on Tej Babra.
Paul Leonard-Morgan joins Gordon Burkell to discuss composing with Philip Glass for Amazon's Tales from the Loop.
Celia Haining, editor of The Crown, joins Gordon Burkell to discuss editing for story.
The filmmakeru.com team explores the history of color in film in our series Birth of an Art. From coloring in single frames ...
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