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February 21, 2020, 1:41 pm
In this week's Friday Free Plug-in, we are featuring bx_subfilter from Plugin Alliance, the bx_subfilter is the filter section from the bx_subsynth plug-in. It's not news that the secret to big bass lies in controlling the bottom end, and the humble high pass filter becomes hugely more interesting when it is a resonant filter.
February 21, 2020, 1:41 pm
This week’s MacBreak Studio requires a bit of a backstory. At the end of January, Steve Martin and I taught some sessions at Vlog University, a conference designed and hosted by Justine Ezarik (iJustine) and produced by FMC for YouTubers looking to up their game held at the Staples Center in Los Angeles. The week before, Filmic Pro’s DoubleTake app was released.
February 21, 2020, 1:41 pm
During Sundance 2020, we gathered a group of editors to discuss a variety of topics, including how they got started, details on their editing setups, plus advice for future editors.
February 21, 2020, 1:41 pm
As part of our series profiling the women in film and television, we highlight the females within the field of visual effects. We talk to them about their experience in their roles as well as the creation of their favourite assets
February 21, 2020, 1:41 pm
While I prepare an unusual review and test of the new VideoMic NTG camera-mountable shotgun mic with technology borrowed from the NTG5 (which I recently reviewed), you can try to win a new RØDE NT-USB Mini microphone. The NT-USB Mini is a smaller, more modern version of the original NT-USB mic I reviewed years ago. According to RØDE, “The NT-USB Mini is a sleek, compact USB microphone that offers studio-quality recording direct to a computer or tablet.” Ahead is more information about the NT-USB Mini (including a video) as well as the rules, deadline and link to participate.
February 20, 2020, 10:52 pm
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows and about their work on some of the biggest films and TV shows of the year.
February 20, 2020, 10:52 pm
After making the virtual production leap on “The Lion King” with the help of virtual reality and the real-time game engine, director Jon Favreau took it a step further with Industrial Light & Magic in the making of his Disney+ “Star Wars” series, “The Mandalorian.” The VFX studio created an innovative virtual production workflow called ILM StageCraft, which allowed the filmmakers to generate complex and exotic digital backdrops in real-time (using Epic’s Unreal game engine) while shooting the eight-episode bounty hunter series at Manhattan Beach Studios in L.A.
February 20, 2020, 5:10 pm
Nuke 12.1 Delivers Artist-Focused Improvements Across the Nuke Family - CGW explores how leading-edge graphics techniques, including the 3D modeling, animation and visualization are used in such applications as CAD/CAM/CAE, architecture, scientific visualization, special effects, digital video, film, and interactive entertainment.
February 20, 2020, 5:10 pm
PORTLAND, OR – Red Giant has just released an update to Universe, its collection of GPU-accelerated plugins for editors and motion graphics artists. Universe 3.2 delivers five brand new tools for creating intricate animations, building beautiful transitions, stylizing imagery and more.
February 20, 2020, 5:10 pm
Chinese studio Free-D Workshop presents their work on the action movie THE WHITE STORM 2 – DRUG LORDS...
Gordon sits down to discuss the VFX of The Lion King with VFX supervisor Rob Legato
In this bonus episode, Gordon sits down with Dan Deleeuw, the visual effects supervisor for Avengers: Endgame.
Gordon sits down with Jinmo Yang to discuss the editing of Parasite, the hit Korean film and a must see for everyone.
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